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Article: Album Review

James Johnson III: Full Circle

Read "Full Circle" reviewed by Mackenzie Horne

by Mackenzie Horne

Pittsburgh drummer James Johnson III has spent the past several years developing his songwriting style—the results of that development can be heard at length on the drummer's sophomore solo record, Full Circle. Full Circle is not only more subdued than 2014's Between ( James Johnson III), but it is also more stylistically uniform. This record is ...

1

Article: Album Review

John Escreet: Learn To Live

Read "Learn To Live" reviewed by Mike Jurkovic

by Mike Jurkovic

From the light, airy smoothness of “Opening," through the nomadic, polyrhythmic, suite “Broken Justice (Kalief)" (which brings to contemporary life Weather Report's axiom: “Everyone solos but no-one solos") to the poppy, practically Stevie Wonder-ish “Lady T's Vibe," keyboardist/composer John Escreet's fusion proves to be a many-headed, sinewy hybrid. All are brought to the forefront on Learn ...

3

Article: Album Review

John Hollenbeck Large Ensemble: All Can Work

Read "All Can Work" reviewed by Angelo Leonardi

by Angelo Leonardi

A un decennio circa dalle incisioni di A Blessing ed Eternal Interlude, il Large Ensemble di John Hollenbeck torna alla New Amsterdam Records per un album ricco di coinvolgenti percorsi. Nei vari brani il batterista/orchestratore ricorda il trombettista Laurie Frink, rilegge uno dei classici ellingtoniani dalla Far East Suite e un tema dei Kraftwerk, omaggia John ...

82

Article: Album Review

Wayne Horvitz: The Snowghost Sessions

Read "The Snowghost Sessions" reviewed by Glenn Astarita

by Glenn Astarita

This trio set is one of two concurrent releases by venerable composer/keyboardist Wayne Horvitz. On Those Who Remain (National Sawdust, 2018) he is supported by an orchestra and guitarist Bill Frisell, to complement his other classical-focused outings spanning the past two decades. As The Snowghost Sessions finds Horvitz aligning with longtime cohorts, bassist Geoff Harper and ...

2

Article: Album Review

The Humanity Quartet: Humanity

Read "Humanity" reviewed by Jack Bowers

by Jack Bowers

Music with a message? With a name like the Humanity Quartet and a CD titled Humanity, one might certainly presume no less. Music designed to help save the world from itself? Well, that's an exceedingly tall order. The Humanity Quartet, bassist Sean Smith writes, was indeed created with such a lofty goal in mind, “recognizing the ...

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Article: Album Review

Thelonious Monk: Mønk

Read "Mønk" reviewed by Ian Patterson

by Ian Patterson

There is certainly no shortage of Thelonious Monk live albums--there are several dozen, in fact--but not too many such recordings have been rescued from a skip, as seems to be the case with this long-lost tape of Monk from a 1963 concert at Odd Fellow Palaeet, Copenhagen. Lovingly restored by Gearbox Records, the recording finds Monk ...

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Article: Album Review

Chris Pasin: Ornettiquette

Read "Ornettiquette" reviewed by Mark Corroto

by Mark Corroto

Included on an album dedicated to the legendary Ornette Coleman, it is “Ghosts," a composition by saxophonist Albert Ayler. Trumpeter Chris Pasin assembled an impressive collection of musicians to record Ornettiquette with Karl Berger and vocalist Ingrid Sertso, both connected to the 1960s revolution through their work with Coleman and Don Cherry. In addition, there's saxophonist ...

9

Article: Album Review

10³²K: The Law of Vibration

Read "The Law of Vibration" reviewed by Karl Ackermann

by Karl Ackermann

This is where the laws of physics meet the laws of the universe. The imaginative dynamism that marked 10³²K's debut That Which is Planted (Passin' Thru Records, 2014) is taken to another level on their new release The Law of Vibration. The trio of trombonist/trumpeter Frank Lacy, bassist Kevin Ray and percussionist Andrew Drury are joined ...

2

Article: Album Review

Ben Wendel: The Seasons

Read "The Seasons" reviewed by Mike Jurkovic

by Mike Jurkovic

Stepping out as he occasionally does from the genre-mashing ensemble Kneebody, Grammy-nominated saxophonist / bassoonist Ben Wendel takes up the challenge of interpreting the seasons as they exist in this time of climate upheaval and delivers the dynamic, visceral The Seasons. In 2015, inspired by Tchaikovsky's “The Seasons," Wendel set about writing and performing ...

8

Article: Album Review

Bob Dylan: More Blood, More Tracks: The Bootleg Series Vol. 14

Read "More Blood, More Tracks: The Bootleg Series Vol. 14" reviewed by Eric Gudas

by Eric Gudas

The challenge of finding something original to say about Bob Dylan's Blood on the Tracks (1975), the mother of all comeback albums, baffles even the most steely-eyed critic. But Sony has made the task easier with More Blood, More Tracks, the unfortunately titled, overpriced, but nonetheless revelatory fourteenth entry in the Bootleg Series. The six-disc Deluxe ...


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