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Fourth Page: The Forest from Above
by John Eyles
It is a pleasure to welcome this new album by the quartet Fourth Page. After a flurry of activity in 2011, during which they released three albums, including their previous Leo recording, Blind Horizons, the group stayed together until 2013. Following a four-year break to work on other projects (during which guitarist-vocalist Charlie Beresford and pianist ...
Lynn Cassiers Imaginary Band: Imaginary Band
by Glenn Astarita
Belgian vocalist, experimentalist Lynn Cassiers' debut album with this band is largely unclassifiable. So, we take the easy way out and state that it heavily leans towards the avant-garde spectrum, although these loose, semi-structured works are embedded with jazz, free improv, and the leader's silky vocals, intermittently treated with electronics. No doubt, the music parallels the ...
Eden Bareket Trio: Night
by Mike Jurkovic
There are plenty of rapid, skittering, minimalist moments on Night, young baritone saxophonist Eden Bareket's shadowy sophomore effort. In a smoky, late-night jam, with the moon hovering over the Brooklyn Bridge, Bareket runs the range of his instrument on eight lean and feisty originals and Matti Caspi's “Lost Melody." Bareket's solos are dark, sonorous, ...
Mars Williams: An Ayler Xmas Volume 2
by Mark Corroto
Recently, a major motion picture studio remade the 1967 animation classic How the Grinch Stole Christmas!, starring the voice of Boris Karloff. You might remember the animated cartoon was based on the book of the same name by Dr. Seuss. The 21st century's computer-animation is an abomination, an insult to our childhood innocence, just as the ...
Jay Thomas with the Oliver Groenewald Newnet: I Always Knew
by Paul Rauch
Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened ...
Jacob Duncan: It's Alright To Dream featuring JD Allen
by Glenn Astarita
In many instances, saxophone summits are ballsy blowouts steeped in performing jazz standards, especially when the hornists are used to leading their own bands, and they just want to get down to business in the studio. But such is not the case here, thanks to superb Louisville, KY-based saxophonist Jacob Duncan's (Norah Jones, Aretha Franklin) original ...
Kelly Green: Volume One
by Mike Jurkovic
If we were talking baseball, pianist, vocalist, and composer Kelly Green would be highly touted as a three tool player. And she deserves to be. From every angle she hears breaks and stops, harmonic and melodic whoops, swoops and vocal dips and dives that the rest of us maybe don't until the artist makes them as ...
James Austin, Jr: Songs in the Key of Wonder
by Geannine Reid
Hailing from the windy city of Chicago, James Austin, Jr. has established himself as an accomplished pianist and bandleader. He honed his craft under the tutelage of a number of legendary musicians, including extensive study with renowned jazz educator Barry Harris, receiving numerous accolades and awards along the way, including the honor of being selected as ...
Sal La Rocca: SHIFTED
by James Fleming
The saxophone lines snake out of the speakers, rustling the airwaves like a breeze through firs or singing with all the lyricism of the finest vocalist. The double bass's hardwood lays a strong foundation. The electricity of the Wurlitzer piano growls atop that age-old sound, like a lightning storm rolling over treetops. Sal La Rocca's Shifted ...
Susanna Risberg: Vilddjur
by Ian Patterson
If the proverbial ten thousand hours of practise does lead to mastery of one's craft, then it's a safe bet that twenty-six-year-old Swedish guitarist Susanna Risberg has long since passed that milestone since taking up the guitar aged ten. Nor is it just her virtuosity that compels on Vilddjur, her third album as leader, but her ...
