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6

Article: Album Review

Lee Konitz: Prisma

Read "Prisma" reviewed by Ian Patterson


Though Lee Konitz has played in a wide variety of settings and styles since his first professional engagement with Teddy Powell in 1945, recordings with full-blown orchestras have been few and far between. Recorded in Frankfurt in 2000, with the Brandenburg State Orchestra conducted by Christoph Campestrini, Prisma captures Konitz interpreting Gunter Buhles' concerto for alto ...

1

Article: Album Review

Or Bareket: OB1

Read "OB1" reviewed by Luca Casarotti


Il primo disco del bassista Or Bareket, dal didascalico titolo OB1, raccoglie sette sue composizioni originali e due arrangiamenti di brani altrui. Bareket dirige un quartetto formato dal batterista Ziv Ravitz, apprezzato sideman (ad esempio con Shai Maestro) oltreché a sua volta leader esperto, dal chitarrista Shachar Elnatan e dal pianista Gadi Lehavi, giovani talenti molto ...

9

Article: Album Review

Pablo Ziegler Trio: Jazz Tango

Read "Jazz Tango" reviewed by Dan Bilawsky


Jazz Tango--winner of the 2018 Grammy for “Best Latin Jazz Album"--is a distillation of pianist Pablo Ziegler's vision. Leading a trio of American-based Argentinians, Ziegler delivers a program that perfectly encapsulates the titular hybridized form that he knows so well. This exhilarating outing opens on Nuevo Tango patriarch Astor Piazzolla's “Michelangelo 70," a ...

10

Article: Album Review

Angelika Niescier - Christopher Tordini - Tyshawn Sorey: The Berlin Concert

Read "The Berlin Concert" reviewed by Troy Dostert


For almost twenty years, German saxophonist Angelika Niescier has been creating forward-thinking jazz that expertly straddles the line between intricate structure and freewheeling energy. Nowhere was this aesthetic vision realized more acutely than on NYC Five (Intakt Records, 2016), her quintet album co-led with pianist Florian Weber. A delightful and infectious release, it signaled Niescier's rise ...

7

Article: Album Review

Meg Okura: IMA IMA

Read "IMA IMA" reviewed by Dan Bilawsky


Heritage isn't merely defined by blood and DNA. It's about who we are, who we choose to become, and what we take from the past to bring to our individual present and presence. So says this most personal of albums from Meg Okura & The Pan Asian Chamber Jazz Ensemble. “Ima"--the Hebrew word ...

1

Article: Album Review

Alyson Murray: Breathe

Read "Breathe" reviewed by Geannine Reid


Alyson Murray has been performing since the age of sixteen, receiving an Outstanding Potential Award from the Australian Girls Choir (AGC), where she was also selected to perform in The Boy From Oz, a Hugh Jackman production in Melbourne. Murray went on to complete her Bachelor of Fine Art Contemporary Music in '15 at the Victorian ...

1

Article: Album Review

Franco D'Andrea: Intervals I

Read "Intervals I" reviewed by Vincenzo Roggero


Dopo aver dato alle stampe in rapida sequenza tre lavori sull'arte del trio, esplorato attraverso differenti combinazioni strumentali, ecco arrivare l'ottetto, che in pratica proprio quelle formazioni (con l'aggiunta della chitarra elettrica di Enrico Terragnoli) riunisce in un unico ensemble. Registrato dal vivo all'Auditorium Parco Della Musica di Roma Intervals I (è prevista per l'autunno l'uscita ...

Article: Album Review

Jen Shyu: Song of the Silver Geese

Read "Song of the Silver Geese" reviewed by Angelo Leonardi


Viene spesso definita una vocalist sperimentale Jen Shyu, ma questo disco conferma che è molto di più. Dopo aver collaborato stabilmente con Steve Coleman e ancora con Anthony Braxton, Bobby Previte, Mark Dresser, Chris Potter e altri grandi, la cantante americana di genitori orientali (Taiwan e Timor Est) ha compiuto negli anni scorsi ricerche etnomusicologiche, recandosi ...

3

Article: Album Review

Dan Wilensky: Good Music

Read "Good Music" reviewed by Dan McClenaghan


“There are only two kinds of music. Good Music and the other kind." So said Duke Ellington, and probably a whole bunch of other people. Good Music is saxophonist Dan Wilensky's examination of music for music's sake, his unpretentious “serving the music" recording. Seven of the eleven tunes are chordless trio affairs, bringing--as a ...

18

Article: Album Review

Yokada: Stillness & Sirens

Read "Stillness & Sirens" reviewed by Karl Ackermann


A new Stockholm-based piano trio, Yokada, has released their debut recording on Lisa Ullén's Disorder label. Though the sparse liner notes give no indication, it is a safe assumption that the trio's name comes from Andrew Hill's “Yokada Yokada" on Judgment! (Blue Note, 1964). This release--Stillness and Sirens--features one composition that is a tribute to Hill. ...


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