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Antonio Sanchez: Doing It All
by Ian Patterson
Antonio Sanchez has been guitarist Pat Metheny's first-choice drummer for the past decade. The tremendous finesse, propulsion and extensive vocabulary that Sanchez possesses have illuminated not only Metheny's recordings, but those of heavyweights such as vibraphonist Gary Burton, saxophonist Michael Brecker, and pianists Chick Corea and Danilo Perez. In recent years, Sanchez has been much in ...
Chris Potter: The Personal Stamp
by R.J. DeLuke
Chris Potter is one of the most visible saxophonists on the scene in recent years. There are reasons for that. Not only does he have incredible chops, inner drive, intensity and the impulse to always be creative--as if that's not enough--he can fit into any musical situation and find a way to contribute.Coming through ...
Pat Metheny: Pulling It All Together
by Lawrence Peryer
As the 1970s came to a close, guitarist Pat Metheny was riding high on a wave of well-received albums, from his self-named Group and Trio and as a contributor to works by vibraphonist Gary Burton, bassist Jaco Pastorius and others. In 1980, he went somewhere else entirely and recorded what has come to be regarded as ...
Marion Cowings: Hey There
by Melanie Futorian
Marion Cowings, is often known as Dave Lambert's replacement in vocalese group Lambert, Hendricks & Ross, andhas graced many stages internationally and nationally, including the Lincoln Center, the Kennedy Center, the Blue Note, the Village Vanguard and a myriad more. He can be heard on recordings, radio and television broadcasts, is a winner of the Clio ...
Lou Donaldson: Jazz Paths
by Josep Pedro
One of the few remaining musicians that defined the sound of jazz after the bebop musical revolution, alto saxophonist Lou Donaldson illustrates the richness and ambiguities of jazz evolution during the crucial period between the late forties and early seventies. During these intense and fascinating times of contemporary United States history, jazz exploded into a variety ...
Miles Evans: Two-Part Harmony
by Melanie Futorian
Trumpeter Miles Evans, like saxophonist Ravi Coltrane, has faced the plus/minus of being the son of a jazz icon--in this case, legendary composer/arranger/bandleader Gil Evans. But if Ravi's exposure to his father was cut short by the saxophonist's too-early demise in 1967, just shy of the youngster's second birthday, Miles had the opportunity to grow up ...
Grant Stewart: The Sound of Hard Bop Today
by Marta Ramon
Grant Stewart is regarded as one of the most influential tenor sax players of the contemporary jazz scene. After nine formative years of intense learning and playing in his hometown of Toronto, the 19 year- old Stewart took his saxophone and bought a flight to New York. Once there, he did things his own way from ...
Wayne Krantz: Inspired Transition
by Ian Patterson
It's taken guitarist Wayne Krantz the guts of twenty years to pen a CD of songs with lyrics and sing them. Howie 61 (Abstract Logix, 2012) is a departure from the music he has recorded previously, though Krantz, Carlock, Lefebvre (Abstract Logix, 2009) hinted at this new direction. There's less guitar work than might be expected ...
Christian Scott: Shining a Light
by Chris May
Trumpeter/bandleader Christian Scott's aTunde Adjuah (Concord, 2012), like its immediate predecessor, Yesterday You Said Tomorrow (Concord, 2010), delivers on two fronts. Musically, it retains what is precious in the jazz tradition, while drawing in ideas from hip hop, rock, funk, ambient and Afrorock. Extra-musically, it reaffirms jazz as protest music.Born and brought up in ...
Wadada Leo Smith: Sounding America’s Freedom
by Franz A. Matzner
Trumpeter Wadada Leo Smith has been at the forefront of musical invention for 40 years and has recently entered a late-career renaissance. In May, 2012, this seminal musician released his greatest effort to date, Ten Freedom Summers (Cuneiform), a 30-year in-the-making testament to the power of civil rights and the importance of artistic engagement in social ...
