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Lola Danza: Life of Luxury
by C. Michael Bailey
Singer/composer Lola Danza has a pan-cultural and artistic vision expanding well beyond the traditional singer's role as performer and interpreter, though these facets do exist large in her art. The singer began a personal trend on Vision Quest (Evolver, 2005) employing a rhythm section of only two bassists. This format, with an occasional splash added by ...
Medeski, Martin & Wood: Sound Sculpting
by Thomas Carroll
Progressive keyboard trio Medeski, Martin & Wood has helped redefine the boarder where musical genres meet since the group's inception over 20 years ago. MMW has experimented with everything from song structure to acoustic-electric instrumental blends, all while appealing to both jazz-specific and mainstream audiences. Free Magic (Indirecto, 2012) is a fine example of MMW's exploratory ...
Barrett Martin: Musical Artifacts and Seattle Punk
by Jack Gold-Molina
Barrett Martin's primary instrument is the drums, but he has also been known to play upright bass, as well as many different types of ethnic percussion instruments that he has studied formally, often traveling to their countries of origin to seek out Griots and teachers. His musical credits include Seattle bands Skin Yard and Screaming Trees, ...
Ben Williams: The Effect of Sound
by Daniel Lehner
It's continuously perplexing that Ben Williams did not set out on playing the bass first. Forced to pick the most attractive string instrument amongst the cellos and violins, the 7th grade aspiring guitarist ended up picking the instrument that he, now in his upper twenties, is in massively high demand for and is unsettlingly proficient in. ...
Antonio Sanchez: Doing It All
by Ian Patterson
Antonio Sanchez has been guitarist Pat Metheny's first-choice drummer for the past decade. The tremendous finesse, propulsion and extensive vocabulary that Sanchez possesses have illuminated not only Metheny's recordings, but those of heavyweights such as vibraphonist Gary Burton, saxophonist Michael Brecker, and pianists Chick Corea and Danilo Perez. In recent years, Sanchez has been much in ...
Chris Potter: The Personal Stamp
by R.J. DeLuke
Chris Potter is one of the most visible saxophonists on the scene in recent years. There are reasons for that. Not only does he have incredible chops, inner drive, intensity and the impulse to always be creative--as if that's not enough--he can fit into any musical situation and find a way to contribute. Coming ...
Pat Metheny: Pulling It All Together
by Lawrence Peryer
As the 1970s came to a close, guitarist Pat Metheny was riding high on a wave of well-received albums, from his self-named Group and Trio and as a contributor to works by vibraphonist Gary Burton, bassist Jaco Pastorius and others. In 1980, he went somewhere else entirely and recorded what has come to be regarded as ...
Marion Cowings: Hey There
by Melanie Futorian
Marion Cowings, is often known as Dave Lambert's replacement in vocalese group Lambert, Hendricks & Ross, andhas graced many stages internationally and nationally, including the Lincoln Center, the Kennedy Center, the Blue Note, the Village Vanguard and a myriad more. He can be heard on recordings, radio and television broadcasts, is a winner of the Clio ...
Lou Donaldson: Jazz Paths
by Josep Pedro
One of the few remaining musicians that defined the sound of jazz after the bebop musical revolution, alto saxophonist Lou Donaldson illustrates the richness and ambiguities of jazz evolution during the crucial period between the late forties and early seventies. During these intense and fascinating times of contemporary United States history, jazz exploded into a variety ...
Miles Evans: Two-Part Harmony
by Melanie Futorian
Trumpeter Miles Evans, like saxophonist Ravi Coltrane, has faced the plus/minus of being the son of a jazz icon--in this case, legendary composer/arranger/bandleader Gil Evans. But if Ravi's exposure to his father was cut short by the saxophonist's too-early demise in 1967, just shy of the youngster's second birthday, Miles had the opportunity to grow up ...
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