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23

Video

Live With Steve Swallow

Featuring the music of Carla Bley
Duration: 7:52

Open chords and melody, reminiscent of a rock singer-songwriter approach
134

Article: Extended Analysis

Rachel Musson's Skein: Flight Line

Read "Rachel Musson's Skein: Flight Line" reviewed by Chris May


Rachel Musson's SkeinFlight LineF-IRE2011 The London musicians' collective/record label F-IRE can take much of the credit for the emergence of some singular saxophonists during the early to mid-2000s: Peter Wareham (Acoustic Ladyland and Polar Bear), Mark Lockheart (Polar Bear), Finn Peters and Ingrid Laubrock being foremost among ...

168

News: Recording

Carla Bley and Her Remarkable Big Band - Appearing Nightly (2008)

Carla Bley and Her Remarkable Big Band - Appearing Nightly (2008)

by Mark Saleski There are two things that can be counted on when cracking open a new Carla Bley Big Band record: 1. many, many interesting and twisty passages of musical architecture and 2. volume. Oh yes, the horn section is enormous and it's powerful. I've made jokes about Bley's hair being shaped by the sheer ...

265

Article: Live Review

Donkey Monkey: Helskini, Finland, February 16, 2011

Read "Donkey Monkey: Helskini, Finland, February 16, 2011" reviewed by Anthony Shaw


Donkey Monkey Kanneltalo Helsinki Finland February 16, 2011 Whenever an unorthodox lineup takes the stage, listeners are easily distracted from a show's musical content. A frozen winter night's performance in a suburb of Helsinki, Finland may not be the most objective situation to assess the intriguing cross-cultural Donkey Monkey, but the ...

656

Article: Interview

Robin Holcomb: Distinctive Mysteries

Read "Robin Holcomb: Distinctive Mysteries" reviewed by Gordon Marshall


Robin Holcomb's songs are knotty like tumbleweeds, braided like roads on maps along which tumbleweeds roll. She lays her songs down like baskets that have the rustic grace of birds' nests, always on the verge of promising a truth, but brimming with natural mysteries. Mysteries accrue, creating a keen urge to get at the kernel of ...

177

Article: Album Review

Paul Bley / Franz Koglmann / Gary Peacock: Annette

Read "Annette" reviewed by Raul d'Gama Rose


Those familiar with the music of Paul Bley, as well as Annette Peacock--after whom this album is named, and whose compositions are featured--will recall the nervy sense of creativity that flowed through their veins and music. In fact, the manner in which Peacock's work is described also fits Bley; both play music that is austere, exacting, ...

230

News: Recording

Steve Gadd's "Live at Voce" (Deluxe Edition)

Steve Gadd's "Live at Voce" (Deluxe Edition)

One of the most recorded drummers of all time, Steve Gadd has worked with everyone from Chick Corea to Paul Simon, Maynard Ferguson to Eric Clapton. When it comes to his own projects, Gadd loves to play good-time groove music that has the danceable qualities and bluesiness of the best R&B along with the adventurous solos ...

833

Article: Extended Analysis

Lew Soloff: Sketches Of Spain

Read "Lew Soloff: Sketches Of Spain" reviewed by Karl Ackermann


Lew SoloffSketches Of SpainSheffield Lab 2010 Sometimes it feels as though trumpeter Miles Davis never left the stage--his afterlife in airplay, books, t-shirts, reissues and tributes is ubiquitous. But even for those jazz fans who would rather not languish in nostalgia, Davis, like saxophonist John Coltrane, continues to ...

99

Article: Take Five With...

Take Five With Jon C. McGahan

Read "Take Five With Jon C. McGahan" reviewed by AAJ Staff


Meet Jon McGahan:After Studies at Illinois Wesleyan University and Roosevelt University. Mr. McGahan found himself the chief arranger for both the Deja Vu Big Band and the Ron Smolen Orchestra. Since 1986, Jon has been actively composing, arranging and playing Trumpet, Trombone and Euphonium for these groups, as well as the Revolutionary Swing Orchestra ...

349

Article: Album Review

Christian Howes: Out of the Blue

Read "Out of the Blue" reviewed by Ian Patterson


The violin is widely considered as the most expressive of instruments, closely approximating the human voice. It depends, however, to a large degree, on whose hands the instrument is in. Christian Howes is that rare breed of musician who makes the violin talk; using the idiom of the blues on Out of the Blue, Howes gives ...


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