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Results for "Cannonball Adderley"
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho
by Chris May
Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...
Jimmy Heath: Love Letter
by Thomas Fletcher
Often nicknamed “Little Bird," Jimmy Heath began on the alto saxophone acquiring this informal title by dedicating his studies to Charlie Parker and his wee stature. Although not a familiar name to many outside of the devoted jazz community, Heath would go on to pursue a remarkable 76-year career sadly passing away in January, 2020. A ...
Meet Steve Swallow
by Craig Jolley
From the 1995-2003 archive: This article first appeared at All About Jazz in October 2000. Touring this summer As is often the case I've been touring Europe during the dreaded festivals. I did the July circuit with a band of [drummer] Bobby Previte's called Bump the Rennaissance which also contains [trombonist] Ray Anderson, [reed ...
Fire Music: When Jazz Speaks Out - Part 3
by Ludovico Granvassu
As Martin Luther King put it in the opening address to the 1964 Berlin Jazz Festival, “Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
Fire Music: When Jazz Speaks Out - Part 2
by Ludovico Granvassu
In the second part of this special dedicated to jazz and civil rights [for the first part click here] we look into music inspired by the bloody events that marked the advancement of the civil rights movement, the names of the victims of ongoing brutality. The playlist included tunes which incorporate the words or the cadence ...
Alexa Tarantino: Passion For Playing And Teaching
by R.J. DeLuke
Alexa Tarantino was bitten by the jazz bug at a young age. She was fortunate to grow up in a community where jazz is an important part of the musical fabric—rare these days. She swiftly grabbed hold of the music and has developed into an in-demand alto saxophonist, earning a series of high-profile gigs that slowed ...
Roberto Magris: Suite!
by Jack Bowers
When appraising a new recording by Roberto Magris, Rule No. 1 is always to expect the unexpected. On eighteen previous albums, the Italian-born pianist has produced tributes to Lee Morgan, Elmo Hope and Cannonball Adderley, welcomed guest artists Herb Geller, Sam Reed and Ira Sullivan, and led groups ranging from trio to septet, all for Kansas ...
Jimmy Cobb: We're Remembering U
by Scott H. Thompson
Drummer Jimmy Cobb was a 91-year old NEA Jazz Master who was (until recently) still playing hard and keeping the groove with his trio consisting of Tadataka Unno on piano and Paolo Benedettini on drums. Remembering U (his 12th album as a leader and first release on his own Jimmy Cobb World label) was released in ...
