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Kathryn Farmer: Moondance
by C. Michael Bailey
Vocalist Kathryn Farmer brings a very contemporary vision to her jazz singing, one equally informed from the popular and R&B idioms. Her debut, Moondance, offers a spectrum of music treated to her uniquely informed interpretations. Farmer fearlessly re-harmonizes songs for her own visionary purposes, rendering compelling, if not provocative, performances. Strict constructionists who ...
Tine Bruhn: Nearness
by C. Michael Bailey
With the rapid evolution of jazz in the past generation, a simple performance approach offers the benefit of showing from where we have come. Denmark-cum-New York City native vocalist Tine Bruhn joins pianist Johnny O'Neal (late of drummer Art Blakey's Jazz Messengers and vibraphonist Milt Jackson's band) and saxophonist Stacy Dillard for a collection of ten ...
New York Voices: Live with the WDR Big Band Cologne
by C. Michael Bailey
New York Voices celebrates its Silver Anniversary with the release of the jazz vocal quartet's first completely live recording, Live with the WDR Big Band Cologne, recorded at the Kölner Philharmonie in May, 2008. Sharing a jazz ensemble field with Manhattan Transfer and the Uptown Vocal Jazz Quartet has in no way dampened the group's efforts ...
Ellen Robinson: Don't Wait Too Long
by C. Michael Bailey
Bay-Area vocalist Ellen Robinson is a study in jazz grace and elegance. Rather than a bright and shiny repertoire of specialized training (of which there is nothing wrong), Robinson sports a music education degree from Manhattanville college with a major in piano, and rides an experiential arc in to the heart of the Great American Songbook. ...
Chorus Corner: Chanticleer, Cantus and Seraphic Fire
by C. Michael Bailey
Singers singing songs. Times are good for choral music when stalwart Chanticleer and relative newcomers Cantus and Seraphic Fire produce new music in such close proximity. Chanticleer releases a collection of concert highlights while Cantus expands the choral acreage on all four sides and Seraphic Fire looks backward with an instrumentally strip-down of an old favorite. ...
Lajos Dudas Trio: Live at Porgy & Bess
by C. Michael Bailey
Hungarian-German clarinetist Lajos Dudas has quite the résumé in Europe, with about 50 recordings to his credit. He has been around long enough to have had clarinetist Artie Shaw remark on his talent, but do not mistake his longevity with a marriage to the traditional mainstream of jazz; it is anything but. Dudas has adventurous spirit ...
Dorian Devins: The Procrastinator
by C. Michael Bailey
Ginny Carr and the Uptown Vocal Jazz Quartet recently paid proper homage to vocalese master Eddie Jefferson with the song “He Was the Cat," from Hustlin' For A Gig (HouseKat Records, 2012). Jefferson, along with Clarence Beeks (King Pleasure), specialized in writing lyrics for and singing the more notable jazz compositions, like “Moody's Mood for Love" ...
Horn Soliloquy: Mort Weiss & Sam Newsome
by C. Michael Bailey
Solo horn recitals are nothing new. Both Anthony Braxton and Steve Lacy produced several each. Tenor saxophonist Sonny Rollins released a sparking The Solo Album (Milestone, 1985), while Bobby Watson's alto wailed solo on This Little Light of Mine (Red Records, 1993). No other format allows the horn player more freedom than playing solo. Here are ...
Aaron Neville: My True Story
by C. Michael Bailey
My True Story is New Orleans royalty Aaron Neville's first recording in three years and his first for Blue Note Records. Most recently, Neville has been covering familiar territory with I Know I've Been Changed (EMI Gospel, 2010), Bring It On Home... The Soul Classics (Burgundy, 2006), Christmas Prayer (EMI Gospel, 2005) and Nature Boy: The ...
Beata Pater: Red
by C. Michael Bailey
Polish vocalist/composer/violinist Beata Pater, as of late in San Francisco, releases Red, the third recording in her “colors" series following Black (B&B, 2006) and Blue (B&B, 2011). She specializes in the no-lyrics singing that is related to, but not exactly the same as scat singing. Much of this is present on Red where, an expressive and ...
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