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Peter Beets: New York Trio Page Two
by C. Andrew Hovan
In its relatively short history, American jazz music has established a language that while having some ties to the European tradition is more fully rooted in the rhythms and folk melodies of the African slaves. What is even more significant is the profound impact that the music and musicians have had in breaking social boundaries such ...
George Colligan: Ultimatum
by C. Andrew Hovan
Unlike classical music, where so much of the performance is based on an authentic interpretation of the material, jazz has always been more about inventiveness and the musician's quest to find an original voice. Additionally, some of the most innovative artists in the genre have been known not only for their instrumental prowess, but also for ...
Seamus Blake: Bellwether
by C. Andrew Hovan
The music speaks for itself. This timeworn axiom has often served as a suggestion that there's an intangible aspect to music's universal language that is somehow beyond mere words. In some cases this may be true, but on the other hand, this outlook has occasionally in the past served as a viable excuse for justifying music ...
Grant Stewart: Rise and Shine
by C. Andrew Hovan
Over the past twenty-five years, the jazz world has seen its share of stylistic ups and downs. Often changing with chameleon-like character, the music's popularity has come and gone based on the trends of the time and the success of musicians capable of connecting with broader audiences beyond the established cognoscenti. In looking back at the ...
Adam Shulman Septet: West Meets East
by C. Andrew Hovan
Quiet as it's kept, too many of today's finest jazz artists are given short shrift by an industry that seems to value product of a fleeting nature over true craft and a reverence for the jazz legacy. This makes it particularly challenging for a talent like Adam Shulman to break through to a wider audience. A ...
Ron Carter: Finding The Right Notes
by C. Andrew Hovan
Going back to the fall of 2016 and Ron Carter's appearance at the Detroit Jazz Festival as artist-in-residence, the buzz was that a biographical film on the man named the most recorded bassist in history was in the pipeline. During that festival, a film crew was seen regularly following Carter around Hart Plaza and the bassist ...
Alla Boara: Le Tre Sorelle
by C. Andrew Hovan
Although critical consensus would have it that jazz is a unique art form with its roots placed squarely in America, the music has always been open to the influences of other music and cultures. Prime examples would have to include the early strains of French gypsy music that morphed with jazz thanks to the influence of ...
Contemporary Records 70th: Barney Kessel and Hampton Hawes on vinyl
by C. Andrew Hovan
Almost a century ago, times were different and folks with the gumption to forge their own paths were more likely to make a mark on history. When you think of the documentation of jazz, names like John Hammond, Francis Wolff, and Ahmet Ertegun were integral to spreading the word of America's unique art form. Far less ...
Bill Charlap's Stardust
by C. Andrew Hovan
As was evident in his first trio releases for Criss Cross, pianist Bill Charlap is genuinely interested in beauty. In his hands, even the most overt swingers seem to find melody expressed as a prime ingredient, with a lithe use of space and dynamics providing the shading to his most personal expressions. While 2000's Written in ...
