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Art Blakey & The Jazz Messengers: The Witch Doctor
by C. Andrew Hovan
Like the other newly-reissued Blakey set, Roots and Herbs, the music contained on The Witch Doctor was recorded in 1961 and came out on LP much after the fact. It too features the great line-up with Morgan, Shorter, and Timmons, but this time the writing is more a group effort, with two cuts apiece from Morgan ...
Lee Morgan: The Sixth Sense
by C. Andrew Hovan
The integrity and consistency of trumpeter Lee Morgan’s work for the Blue Note label starting in the mid-‘50s and running through to the early ‘70s was such that in some ways it must have been taken for granted at the time. Even taking into consideration the commercial pressures that had to be present following the success ...
Grant Green: Talkin' About
by C. Andrew Hovan
Although it has now arrived posthumously, guitarist Grant Green is finally being recognized for the immense talent that he was. Through a recent biography and the active sampling of his ‘70s work by the acid jazz crowd, Green has become a hot commodity after the fact. The core of his most profound work is documented on ...
Art Blakey & The Jazz Messengers: Roots and Herbs
by C. Andrew Hovan
Arguably one of the best bands to ever be assembled under the Jazz Messengers moniker, drummer Art Blakey’s crew from the late ‘50s and early ‘60s included such legendary figures as Lee Morgan, Wayne Shorter, and Bobby Timmons. Blue Note producer Alfred Lion surely knew he had a good thing going because he kept these guys ...
Jaki Byard: On the Spot!
by C. Andrew Hovan
It is without exaggeration to suggest that the late Jaki Byard was probably one of the most complete pianists that jazz has seen or will likely ever see again. For this iconoclast, everything from the stride of James P. Johnson to the thundering cacophony of Cecil Taylor was fair game for further maturation and he managed ...
Barry Harris: Magnificent!
by C. Andrew Hovan
By the time pianist Barry Harris recorded his first session as a leader in 1958, Breakin' It Up for the Argo label, Charlie Parker had already been dead for three years and the be-bop movement that he had helped usher in was already giving way to the more visceral advance of hard bop and the beginning ...
Junior Mance: Happy Time
by C. Andrew Hovan
To the chagrin of certainly many a musician, there are some critics who equate audience appeal with commercial sell-out. It is just such an attitude that must have played a part in establishing pianist Junior Mance's position on the jazz map just at the outskirts of critical acclaim, despite wholehearted acceptance by those with a talented ...
Grant Green: Grant's First Stand
by C. Andrew Hovan
Leaving his native St. Louis in 1959, guitarist Grant Green got his first big break appearing with tenor saxophonist Jimmy Forrest and made his recording debut on Forrest's All The Gin Is Gone. While in Chicago, he then appeared on organist Sam Lazar's Space Flight before hooking up with Lou Donaldson in New York. The rest ...
Harold Danko: Three of Four
by C. Andrew Hovan
Even when it seems that you've heard all that there is to hear and all of the up-and-coming musicians that are out there to hear, someone will inadvertently pop up and surprise you. Such is the case with pianist Harold Danko, a gentleman who works as a college educator by day, stepping out once in awhile ...
David Hazeltine: A World For Her
by C. Andrew Hovan
The past year has been a banner one for pianist David Hazeltine. First, there was the summer release of his duo with vibraphonist Joe Locke, Mutual Admiration Society. Then, there was his resplendent tribute to Bill Evans, A Waltz for Debby done for the Japanese Venus label. Finally, we come to the disc at hand, A ...


