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110

Article: Album Review

Rob Schneiderman: Edgewise

Read "Edgewise" reviewed by C. Andrew Hovan


You have to wonder if there’s something to the fact that there are three jazz artists of current vintage who, in addition to contributing substantially to the jazz lexicon, have also made an impact in some very important and time consuming fields outside of music. For instance, both trumpeter Eddie Henderson and pianist Denny Zeitlin have ...

445

Article: Album Review

Ron Carter: When Skies Are Grey...

Read "When Skies Are Grey..." reviewed by C. Andrew Hovan


Sometimes knowing the whole story can enhance the appreciation of a work of art. In the case of When Skies Are Grey..., the death of Carter's wife around the same time as the recording session helped make the disc a tangible example of the human spirit overcoming adversity. Far from the gloomy state that its title ...

153

Article: Album Review

Sebastian Weiss Trio: Polaroid Memory

Read "Polaroid Memory" reviewed by C. Andrew Hovan


Since the innovations of Bill Evans back in the late ‘50s, the piano trio has become one of the most expressive formats for the creative musician. The pianist, bassist and drummer can interact in ways that work wonderfully on a smaller scale, but would become too cumbersome in a larger ensemble. It is within this resourceful ...

250

Article: Album Review

Carla White: The Sweetest Sounds

Read "The Sweetest Sounds" reviewed by C. Andrew Hovan


During the period when jazz had reached a popular appeal unlike anything seen before or since, the idea of a woman vocalist fronting a big band was a fashionable and alluring notion. It was the swing era and such names as Mildred Bailey, Billie Holiday, Ella Fitzgerald, Anita O'Day, and countless others came up through the ...

169

Article: Album Review

Larry Goldings: As One

Read "As One" reviewed by C. Andrew Hovan


It’s been well over a decade now since a renaissance movement put the funky Hammond B-3 organ back on the scene with a vengeance. It’s been nearly that long since Larry Goldings decided to get together with guitarist Peter Bernstein and drummer Bill Stewart to form one of the preeminent organ combos of modern vintage. In ...

346

Article: Album Review

Kurt Rosenwinkel: The Next Step

Read "The Next Step" reviewed by C. Andrew Hovan


When you stop to think about it, there are relatively few guitarists on the current jazz scene working to go beyond the boundaries of a mainstream manifesto. Sure, you've got talented youngsters such as Russell Malone, Peter Bernstein, and many others functioning within the tradition. But even as endowed as these guys are, they have not ...

203

Article: Album Review

One For All: The Long Haul

Read "The Long Haul" reviewed by C. Andrew Hovan


Well, you know what they say. There aren’t any real jazz bands anymore and the opportunities for younger musicians to thrive in a working environment are few and far between. Sure, it’s not what it used to be, but all is really not as bleak as some would want us to believe. Guys like Jason Lindner, ...

122

Article: Album Review

Dan Wall: On the Inside Looking In

Read "On the Inside Looking In" reviewed by C. Andrew Hovan


It just so happens that he currently makes his home in Cleveland, Ohio, yet pianist/organist Dan Wall is a world class player who could hold his own in New York, LA or just about anywhere. An integral part of guitarist John Abercrombie’s trio for some eight years now (see and hear Open Land and Tactics ), ...

157

Article: Album Review

Louis Smith: The Bopsmith

Read "The Bopsmith" reviewed by C. Andrew Hovan


He’s one of the guys you probably never knew was still around. Trumpeter Louis Smith has become the stuff of legend, especially among Blue Note collectors who proudly cherish the two sets for the label that bear his name. In Michigan, where he currently resides, Smith is somewhat of a household name among jazz fans and ...

144

Article: Album Review

Don Braden: The Contemporary Standards Ensemble

Read "The Contemporary Standards Ensemble" reviewed by C. Andrew Hovan


It's a known fact that the majority of jazz performers, both past and present, draw on popular material in some way or form for a part of their repertoire. These items are the “standards" that have become the language of most improvising musicians. These tunes have stood the test of time, but emanate from a previous ...


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