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Joe Henderson, Bill Evans, Jim Hall: Buried Treasure from Germany's MPS Label
by Chris May
Between its founding in 1968 and sale in 1983, the original incarnation of the recently revived German label MPS—the initials stand for Musik Produktion Schwarzwald (Music Production Black Forest)—notched up around five hundred releases. Some were recorded in the US by American musicians, many more were recorded in Europe and featured bands made up of European ...
The Complete Louis Armstrong Columbia and Rca Victor Studio Sessions 1946-1966
by Vic Albani
Allora, mettiamo tutti gli aggettivi all'inizio: spettacolare, tentacolare, perfetto, luccicante, esaustivo, infinito, entusiasmante. Potremmo andare avanti per un bel po' di righe ma sarebbe anche stupido anche perché parlare di qualcosa che interessa uno dei nomi che hanno inventato il jazz, per di più in uno dei suoi periodi migliori sia per produzione che per altezza ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Miles Davis: The Real Second Great Quintet
by Chris May
Miles Davis' first great quintet is generally agreed to be the one with tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones--the group which in 1955-56 recorded Columbia's 'Round About Midnight and Prestige's The New Miles Davis Quintet, Steamin', Workin', Relaxin' and Cookin'. Davis' second great quintet ...
Hard Bop: Ten Essential Live Albums
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...
Jon Hendricks: An Essential Top Ten Albums
by Peter Jones
Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...
Mark Murphy: An Essential Top Ten Albums
by Peter Jones
Revered by jazz singers the world over, Mark Murphy is barely known to the general public--which is curious, since he enjoyed a recording career that lasted more than half a century, made 48 albums in his lifetime, and played thousands of gigs with hundreds of musicians from Norway to Australia. A notoriously mercurial and secretive character, ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Charles Mingus: An Essential Top Ten Albums
by Chris May
Charles Mingus was rarely a happy man and yet his music possessed a power to uplift listeners unlike that of most other composer / bandleaders before or after him. It still has that power in 2021, four decades after his passing and on the eve of his hundredth anniversary in 2022. In his personal life, too, ...
John Russell
by John Eyles
On Tuesday 19th January 2021, one month after his 66th birthday, guitarist John Russell died peacefully at home after a long battle against cancer. A flurry of obituaries furnished details of Russell's life and fifty-year career as an improvising musician, some also praising his many music-related achievements far beyond his skills as a guitarist. Some obituaries ...
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