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7

Article: Album Review

Susie Meissner: I Wish I Knew

Read "I Wish I Knew" reviewed by C. Michael Bailey


Over the past decade and three previous recordings, Philadelphia-based vocalist Susie Meissner has crafted an intelligently conceived and thoughtfully paced survey of the Great American Songbook. Meissner's considerations of the standard jazz repertoire, in concert with pianist John Shaddy's sturdy arrangements and educated performance manner, have emerged, evolving from chaste and reverent beginnings, into rich and ...

11

Article: Reassessing

Dial "S" for Sonny

Read "Dial "S" for Sonny" reviewed by C. Michael Bailey


Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz ...

9

Article: Reassessing

New Faces - New Sounds

Read "New Faces - New Sounds" reviewed by C. Michael Bailey


In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...

26

Article: SoCal Jazz

Frank Tiberi: The Thundering is Still Heard

Read "Frank Tiberi: The Thundering is Still Heard" reviewed by Jim Worsley


The term “ninety-two years young" is a bit cliché, but if the shoe fits (oops, another cliché). Saxophonist Frank Tiberi (pictured above playing with saxophonist and long time friend George Garzone to the left) spoke with the verve and energy of a much younger man. He got excited, as if being back in the moment, when ...

News: Opinion

The Shearing Sound That Wasn't

The Shearing Sound That Wasn't

In 1948, George Shearing and Buddy DeFranco kicked around the idea of forming a quintet. With Shearing's block chords and Buddy's bop clarinet along with their speed, they figured they'd knock out audiences. They performed together with bassist John Levy and drummer Denzil Best at the Clique Club, which would become Birdland a year later. But ...

Results for pages tagged "Buddy DeFranco"...

Musician

Buddy DeFranco

Born:

Buddy DeFranco has the unprecedented distinction of winning twenty Downbeat Magazine Awards, nine Metronome Magazine Awards, and sixteen Playboy All-Stars Awards as the number one jazz clarinetist in the world.

Buddy is generally credited with leading the way for jazz clarinetists from the exciting era of swing to the exhilarating age of bop. Along the way he has set the example for all jazz musicians for technical brilliance. Improvisational virtuosity and creative warmth. He is one of the most imaginative clarinetists playing today.

Born in Camden, New Jersey, Buddy was raised in South Philadelphia and began playing the clarinet at age nine. By age fourteen he had won a national Tommy Dorsey Swing contest, and appeared on the Saturday Night Swing Club, sharing the spotlight with Gene Krupa. He was soon discovered by Johnny "Scat" Davis and began his road career with him in 1939. He joined Gene Krupa in 1941, Ted FioRito and Charlie Barnet 1942-43, Tommy Dorsey 1944-45, Boyd Raeburn 1946, Tommy Dorsey again in 1947-48. In 1950 he joined the famous Count Basie Septet.Buddy was appointed leader of the Glenn Miller Orchestra 1966-1974. Since then he has resumed his jazz career and has done countless clinics: Tri-State Festival, Stan Kenton Clinics, North Texas State Teachers College, Clinician and Soloist with the N.O.R.A.D. Band and Air Men of Note. Buddy has brought his clarinet and jazz groups to many famous clubs. His concert appearances include Norman Granz's Jazz at the Philharmonic, Carnegie Hall, Hollywood Bowl, Ravinia Park with Tony Bennett, Sahara Hotel in Las Vegas, Kool Jazz Festival, Aurex Jazz Festival in Japan, Bern Festival in Switzerland, Radio Cologne with Bill Holman and the Radio Cologne Orchestra, Dutch Radio with Rob Pronk & Metropole Orchestra, European Tours, the Far East, Australia, New Zealand, Hawaii, South Africa, and Argentina ... wherever good jazz is played!

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Article: Radio & Podcasts

February Birthdays and Snooky @100

Read "February Birthdays and Snooky @100" reviewed by Marc Cohn


It's the monthly jazz birthdays edition of Gift and Messages, direct from our turntables and CD players in mid-city Baton Rouge to you! We salute the late trumpeter Snooky Young on his 100th birthday with one of the rare recordings under his own name, the out-of-print Horn of Plenty. Great listening, along with tenor birthday madness ...

News: Birthday

Jazz Musician of the Day: Buddy DeFranco

Jazz Musician of the Day: Buddy DeFranco

All About Jazz is celebrating Buddy DeFranco's birthday today! Buddy DeFranco has the unprecedented distinction of winning twenty Downbeat Magazine Awards, nine Metronome Magazine Awards, and sixteen Playboy All-Stars Awards as the number one jazz clarinetist in the world. Buddy is generally credited with leading the way for jazz clarinetists from the exciting era of swing ...

Article: Album Review

Eddie Daniels, Roger Kellaway: Just Friends

Read "Just Friends" reviewed by Angelo Leonardi


Dall'archivio personale di George Klabin --il fondatore e presidente della Resonance Records --esce questa registrazione di un concerto di vent'anni fa, dato al Village Vanguard dal clarinettista Eddie Daniels e dal pianista Roger Kellaway con Buster Williams al contrabbasso e Al Foster alla batteria. Documento scintillante sia dal punto di vista della qualità acustica (nonostante l'incisione ...

8

Article: Interview

Julian Pressley: From The Duke To Ornette In His Own Way

Read "Julian Pressley: From The Duke To Ornette In His Own Way" reviewed by Victor L. Schermer


Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...


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