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Buddy Bolden
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Cornetist Buddy Bolden is one of the premier legendary figures of jazz. Credited as the founder of "jass," later to be called jazz, he was the first player to pursue an improvisational style. Much is unknown about Bolden's life, however, and it has been difficult for jazz historians to separate myth from reality, and the legend continues to grow. Charles Joseph Bolden was born in New Orleans to Westmore Bolden and Alice Harrison on September 6, 1877. In December of 1883, Bolden's father died and his mother began working to support the family. At the age of ten, Bolden, along with his mother and sister, Cara, moved to 385 First Street
How John Coltrane Changed Rock Music: Santana
by Kyle Simpler
When the Santana band first started in the San Francisco area in the late 60s, hardly anyone outside of the Bay Area was familiar with the group. This changed after their performance at the Woodstock festival in 1969. Seemingly overnight, everyone knew about Santana, and the band, under the leadership of its namesake, Carlos Santana has since ...
The Brief Reign of King Oliver
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
Mario Mariotti, ricerca e improvvisazione tra contemporanea e jazz
by Neri Pollastri
Trombettista milanese di formazione accademica e dalle diversificate esperienze, appassionato esploratore dei multiformi scenari dell'improvvisazione, Mario Mariotti negli ultimi anni ha proposto lavori diversi tra loro, ma tutti molto interessanti. Abbiamo conversato con lui per conoscere meglio la sua personalità artistica. All About Jazz: Comincerei dal tuo interesse per Bill Dixon al quale ti ...
The Great Hall: Perseverance Society Hall and the Beginnings of Jazz, Part 3
by Jon Sheckler
Part 1 | Part 2 | Part 3 Part 3: The Great Jazz HallPerseverance Society Hall was a multi-use facility for much of its history. But the chief use of the expansive interior was membership events. The design had even included a unique feature: a musicians' mezzanine was built at the back end of ...
Matthew Shipp: The Data
by Mark Corroto
Music is communication, and jazz, especially jazz improvisation is the purest form of expression of one's intercourse. Think of this in terms of the contrast between Buddy Bolden, who is believed to be the very first jazz musician and Mick Jagger of The Rolling Stones. Bolden began playing Gospel, blues, and marching band music, but his ...
Jazz And Death: Reception, Rituals And Representations
by Ian Patterson
Jazz and Death: Reception, Rituals and Representations Walter van de Leur 200 Pages ISBN: 9781138553422 Routledge 2023 The title might seem a tad non-felicitous, but it surely invites reflection. How do we respond to and commemorate jazz musicians' deaths? In what ways do these rituals manifest themselves from one ...
Samuel Blaser: Routes
by Chris May
The Jamaican trombonist Don Drummond (1934-1969), the inspiration for Routes, was in certain respects a mid-twentieth Jamaican parallel of the New Orleans cornetist Buddy Bolden (1877-1931). Bolden pioneered jazz in the US, Drummond in Jamaica. Both achieved mythic proportions during their lifetimes and both their legends endure. Both, tragically, spent their final years in what were ...
Dr. John: The Montreux Years
by Dave Linn
New Orleans is considered the birthplace of jazz. In the late 1800s, the city was a melting pot of different cultures, including African, European, and Caribbean. This cultural diversity had a profound impact on the music of the city. The new sounds of Dixieland and ragtime became the foundation in the evolution of jazz. Artists such ...
Jazz For The Serious Connoisseur
by Phillip A. Haynes
In tackling this top ten list for serious students of jazz, the focus was on works that shocked and intrigued upon first and successive listens, striving to understand their meaning, materials, historical context, and influence on contemporary improvisation. “Blackbird" (1980) by Bobby McFerrin, The Voice (Elektra, 1984) When released, McFerrin's astounding virtuosity ...
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