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7

Article: Album Review

Guillermo Klein: Los Guachos V

Read "Los Guachos V" reviewed by Budd Kopman


If a creator has a vision, being persistent in working to bring it to life is a requirement. This is true in life, for visions big and small, and not just for artists. Pianist, composer and band leader Guillermo Klein most definitely fits that bill. His group, Los Guachos (literally, The Bastards) has been ...

5

Article: Album Review

Michael Jefry Stevens: Brass Tactics

Read "Brass Tactics" reviewed by Budd Kopman


Anyone remotely interested “creative improvised music" (aka jazz) that intersects with the Classical aesthetic should take the time to listen closely to pianist Michael Jefry Stevens' latest release Brass Tactics. Stevens is a thinking man's player mostly known for his work in the Fonda/Stevens group (see Folk Five) and Conference Call, (with Gebhard Ullmann) ...

3

Article: Album Review

Christopher Zuar Orchestra: Musings

Read "Musings" reviewed by Budd Kopman


There is no doubt that composer Christopher Zuar's debut recording Musings is an impressive achievement. The sheer overall sonic brilliance and obvious control of the instrumental forces at hand signal a talent to be reckoned with. Not even thirty at the time of the recording, Zuar's music is surprisingly mature and well conceived. The ...

6

Article: Album Review

Greg Burk: Clean Spring

Read "Clean Spring" reviewed by Budd Kopman


Pianist Greg Burk has built quite a discography as a leader, including solo albums and his latest, Clean Spring will only further burnish his reputation as a deep player and thinker. In a very real sense, this album is a homage to Burk's mentor Paul Bley, who had an obvious impact of Burk's musical attitude and ...

5

Article: Album Review

Chris Cheek: Saturday Songs

Read "Saturday Songs" reviewed by Budd Kopman


Sometimes, combining seriousness of intent and high musicianship with pure fun is just the thing one needs, and is exemplified by Saturday Songs from tenor saxophonist Chris Cheek. Cheek does not make a lot records as a leader (see Blues Cruise from 2006), but is on literally scores of albums as a sideman (see ...

5

Article: Album Review

Ryan Carraher: Vocturnal

Read "Vocturnal" reviewed by Budd Kopman


Guitarist and composer Ryan Carraher is blessed with an enormous technique and a fertile and inventive musical mind (having received the Achievement Award from the guitar department of the Berklee College of Music), which is doubly impressive in one so young. Carraher states that the compositions in Vocturnal “are heavily inspired by the classical ...

2

Article: Album Review

Sebastian Noelle: Shelter

Read "Shelter" reviewed by Budd Kopman


Guitarist Sebastian Noelle is a very busy player, but just does not make many records, which seem to come about every five years: Across The River (2006), Koan (2011) and now the marvelous Shelter. Assembling a first rate band consisting of Marc Mommaas on tenor saxophone (heard most recently on Ballads And Standards), pianist ...

1

Article: Album Review

Alex Merritt Quartet: Anatta

Read "Anatta" reviewed by Budd Kopman


Everyone, listeners and composers/players bring their life experience to the music at hand. Jazz musicians in particular, especially today when many, if not most, compose as well as perform, pour themselves once into a composition, and then again when performing it. The performer aims to virtually disappear, to separate the distance and space between himself and ...

3

Article: Album Review

Four Letter Words: Blow

Read "Blow" reviewed by Budd Kopman


Four Letter Words is a trio consisting of tenor saxophonist Jake Wark, pianist Matt Piet and drummer Bill Harris, and Blow is their highly intelligent, extremely intense and deeply rewarding debut recording. As usual, labels are almost useless. Their music manages to sound quite free while simultaneously being organized around motifs, if not full ...

14

Article: Album Review

Hans Olding & Sigurdur Flosason: Projeto Brasil!

Read "Projeto Brasil!" reviewed by Budd Kopman


Projeto Brasil!, from saxophonist/flutist Sigurdur Flosason and guitarist Hans Olding, when compared to the authentic and stunningly beautiful Porto da Madama, seems rather tame. But, one cannot fault a project for not being what it cannot be, and never tried to be. What Flosason and Olding have created is a tribute to the music ...


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