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George Walker Petit: ...End Of August
by Budd Kopman
George Walker Petit is no stranger to jazz musicians since he is one of the top recording engineers in New York City. Although he has closed his own studio he remains active and has recorded many, many musicians. With ...End Of August, he has recorded himself. What makes Petit a successful recording engineer ...
Gary Peacock / Paul Bley / Paul Motian at Birdland
by Budd Kopman
Gary Peacock / Paul Bley / Paul Motian at BirdlandBirdlandNew York, NYAugust 23, 2007 Music exists only in time. Yes, it can be recorded, but listening to the recording again demands time. The basic premise of jazz as in-the-moment improvisation only increases awareness of the music's ephemeral nature, which is ...
John Surman: The Spaces in Between
by Budd Kopman
The sumptuous and moving The Spaces in Between represents eight years of growth--not only for multi-reedman/composer John Surman, but also the string quartet Trans4mation, as it originally appeared on Coruscating (ECM, 1999). Bassist Chris Laurence is the link between the two worlds of jazz and classical music, having worked with Surman for more ...
The John McNeil / Bill McHenry Quartet at the Village Vanguard
by Budd Kopman
The John McNeil / Bill McHenry Quartet at The Village VanguardThe Village VanguardNew York CityAugust 22, 2007 Trumpeter John McNeil, whose release East Coast Cool was on many Best of--" lists for 2006, has created a band that fulfills his personal musical vision. This quartet, with tenor saxophonist Bill McHenry, ...
Paul Bley: Solo in Mondsee
by Budd Kopman
Paul Bley will be seventy-five in November, 2007 and has been recording for over fifty years, taking part in every revolution in jazz since 1950. Famously competitive and a tireless introspector, Bley is recognizable not so much by a particular style, but by his restless attitude and intensity, and perhaps the solidity of each note played. ...
Maria Schneider Orchestra: Sky Blue
by Budd Kopman
Maria Schneider and her orchestra (and yes, it is an orchestra and not a band) demonstrate everything that is right with ArtistShare specifically and jazz in general, with the miraculous Sky Blue being but the latest example. In a perfect world, ArtistShare would not have to exist, since record companies would deal honestly ...
Peter Van Huffel: Silvester Battlefield
by Budd Kopman
Armed with a sharp tone and attack, keen rhythmic sense and a wry compositional attitude, saxophonist Peter Van Huffel makes one sit up and listen on Silvester Battlefield. The album is brimming with ideas that manage to sound abstract in their tonality and phrasing while, at that same time, being extremely logical. Hardly ...
Mike Moreno: Between The Lines
by Budd Kopman
Guitarist Mike Moreno, originally from Houston, Texas and now in New York City for the last ten years, has created in Between the Lines a remarkable release that makes an immediate impact while also having much depth. Jazz is less a musical language and more a musical attitude in which personal expression is ...
Jerome Sabbagh: Pogo
by Budd Kopman
Under a coolness that is felt on the surface of the music, saxophonist Jerome Sabbagh--on the fine release Pogo--creates a tension that is expertly controlled. Intent on developing a style that is personal and recognizable, Sabbagh composes and plays from a core that seems at first tightly controlled. However, that which seems to be reticence turns ...
Daniel Schlaeppi: Forces
by Budd Kopman
Bassist Daniel Schläppi, whose previous release was Indian Summer (Catwalk, 2006) with guitarist Tomas Sauter, establishes himself as both a composer of note and someone who can bring together fine players and get the best from them with Forces. The quartet, led by Schläppi consists of virtuoso trombonist Nils Wogram, also heard on ...


