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Results for "Brian Eno"
Jan Peter Schwalm: How We Fall
by Mark Sullivan
Jan Peter Schwalm is a German composer and music producer, best known for his collaborations with ambient music pioneer Brian Eno, including the album Drawn From Life (Opal, 2001). Since 2006 Schwalm has been a regular guest at Norway's Punktfestival, distinguishing himself as a live remixer. He has also developed a long- term partnership with Norwegian ...
Michael Leonhart: The Painted Lady Suite
by Angelo Leonardi
A trent'anni esatti dalla scomparsa di Gil Evans, la sua lezione orchestrale rivive e si alimenta di nuove suggestioni. Il sorprendente e straordinario debutto della Michael Leonhart Orchestra rinnova un'estetica che in questi decenni ha ispirato Maria Schneider, in parte Darcy James Argue e alimentato la ricerca filologica e la rielaborazione di Ryan Truesdell.
Nik Turner and Youth: Pharaohs From Outer Space
by Chris May
Pharaohs From Outer Space is one of three albums launching British experimental / ambient label Painted Word. The label has been formed by post-punk band Killing Joke's bassist Youth, who describes the album--which he produced and co-headlines with Nik Turner, saxophonist with psychedelic space-rockers Hawkind--as “a nod to Sun Ra and Alice Coltrane." It is mellifluous, ...
SUSS: Ghost Box
by Mark Sullivan
The members of the band SUSS describe the music on their album Ghost Box as “psychedelic ambient country instrumentals." Fair enough, but ambient music fans will certainly recognize the sound from the country-influenced tracks on ambient pioneer Brian Eno's Apollo: Atmospheres and Soundtracks (E.G. Records, 1983)--featuring Daniel Lanois' pedal steel guitar playing--as well as Lanois albums ...
Rodrigo Tavares: Congo
by Chris May
Guitarist Rodrigo Tavares cites his primary influences as bossa nova and tropicália pioneers João Gilberto, Dorival Caymmi, Antonio Carlos Jobim, Chico Buarque, Caetano Veloso, Gilberto Gil and Tom Zé. But you would not guess it from Congo, a collection of lyrical instrumentals which reference Brazil only in passing, and which consciously avoid any recognisable sense of ...
Billy Parker's Fourth World: Freedom Of Speech
by Chris May
Drummer Billy Parker's 1975 album only tangentially connects to Fourth World music, the pancultural style which was given its name five years later by Jon Hassell on Fourth World Vol. 1: Possible Musics (Editions EG, 1980), the trumpeter's first collaboration with Brian Eno. Parker's Fourth World is the name of the band heard on Freedom Of ...
King Crimson: Live In Vienna, December 1st, 2016 (UK Edition)
by John Kelman
Another year, another live King Crimson set? True, perhaps. But since reforming in a slightly shifting but conceptually constant form in 2013 to begin touring in the fall of the following year, the band's forward-looking, ever-growing repertoire of new music and revisitation of old music (from across its nearly half century career) made new again has ...
Holger Czukay: Cinema
by Mark Corroto
Cinema is an irresistible five cd/dvd box set of music that enables the discovery of the creative mind of Holger Czukay (1938-2017). It may afford a re-discovery for a select few. Probably best known as a member of the famous Krautrock band CAN, which he co-founded in 1968, this collection surveys his post-CAN creations which were ...
Gleb Kolyadin: Gleb Kolyadin
by Geno Thackara
One sometimes doesn't know where to start in describing things under the progressive-rock umbrella, considering that the term comes with such a pile of baggage it's practically impossible to see around. The modern-day genre (to the extent that's even a recognizable thing) arguably has even more issues than the 1970s version: there are more bands out ...
Yazz Ahmed: La Saboteuse
by Chris May
If Miles Davis was alive today and in the studio recording Bitches Brew, the results might, just might, resemble parts of London-based Yazz Ahmed's La Saboteuse. Other approximate reference points are, during the more reflective moments, Jon Hassell and Brian Eno's Dream Theory In Malaya: Fourth World Volume 2 and Davis's In A Silent Way. But ...
