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Brew Moore
Born:
The tenor saxophonist Brew Moore (Milton Aubrey Moore) was born in Indianola, Mississippi on March 26th 1924. He showed musical prowess at an early age. As a child of 7 he started playing popular tunes on a toy harmonica that he had received as a gift for his birthday. After a few years he played in his junior high school’s band and after graduating he entered Mississippi University to study music but left after only one semester to pursue a career as a tenor saxophonist. He arrived in New Orleans nearly broke but was quickly hired by the Fred Ford’s Dixielanders. For the next six years he played with different local bands in both New Orleans and Memphis
Neal Miner: Invisibility
by Jack Bowers
Here is a jazz trio with a twist: instead of the usual piano, bass and drums--or guitar, bass and drums--Neal Miner's threesome on Invisibility consists of tenor saxophone, bass and drums. While bassist Miner is the nominal leader, the New York City-based trio is a true co-op in which Miner, drummer Jason Tiemann and saxophonist Chris ...
OJC Odds & Ends: From Cal Tjader to Mal Waldron
by C. Andrew Hovan
Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...
Video: Brew Moore, 1961
Many tenor saxophonists in the late 1940s and '50s played like Lester Young—once they figured out how to run alternate melody lines on the chord changes of standards and blues in the upper register. One of the San Francisco's foremost disciples of Young was Brew Moore. He was so enamored of Young, he held his saxophone ...
Poetry and Jazz: A Chronology
by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
A Selection of Jazz on Sonorama
by Jakob Baekgaard
A good record is not just an album, it is a story, and few people understand this better than Ekkehart Fleischhammer, who runs Sonorama. The label specializes in reissues and discoveries of lost jazz classics, library music, funk and soul. Every release is a labor of love and the albums in the following batch all include ...
Dave Brubeck: Small Groups, Large Stature
by Jack Bowers
Dave Brubeck wasn't really a big-band kinda guy; in fact, he was seldom seen in groups larger than four or five. On the other hand, he was an extraordinary musician, one whose influence will no doubt be felt for generations to come. Brubeck, who remained active almost to the end of his life, died December 5 ...
Jazzhus Montmartre: The Legend Continues
by Jakob Baekgaard
To jazz listeners around the world, the word “Montmartre" has a very special meaning. It is a word that conjures an image, not of French cafés and bohemian painters, as one might expect, but of an intimate little jazz venue in the middle of Copenhagen which once attracted some of the very best jazz musicians in ...
Brew Moore: The Kerouac Connection
By Brew Moore
Label: Unknown label
Released: 2008
Track listing: CD1: Blue Brew; Brew Blue; More Brew; No More Brew; Godchild; Ubop City Pts. 1 & 2; Vacilando; Howard
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