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Charnett Moffett: Improvisational Artistry
by R.J. DeLuke
"I enjoy all of the music, just as I enjoy different aspects of color in paintings, or different people, or different types of food, or things of that nature. For me, it seems to be a more interesting way of life to have an appreciation for all that is offered on the planet."
Christian McBride: Getting the Inside Straight
by Esther Berlanga-Ryan
If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...
Myron Walden: Eclectic Reedman
by Edward Bride
In words often used to describe the music of Duke Ellington, Myron Walden is a saxophonist beyond category. More so than many other musicians, Walden himself eschews reliance on any one instrument, not tenor or alto nor soprano nor bass nor... well, you get the idea. The voice that he is striving to use in any ...
Bruce Hornsby: The Master of Levitation
by Mark F. Turner
For more than 20 years, singer/songwriter, pianist/composer, and band-leader Bruce Hornsby, has proven to be a survivor in an ever changing music environment. From winning multiple awards including a Grammy for Best New Artist in 1987 for the multi-platinum album The Way It Is (RCA, 1986) with his band The Range, to dual releases in 2007 ...
Indianapolis Jazz Festival: Day 1, September 26, 2009
by AAJ Staff
Day 1 | Day 2 The Indianapolis Jazz FestivalIndianapolis, IndianaSept. 26, 2009With two outdoor stages at The Lawn at White River State Park, the heavy clouds blowing across the sky brought just the right amount of the tension to the mix for the final weekend of the Indy Jazz Festival. The ...
New Harry Connick Jr. Album
Over the past two decades, Harry Connick, Jr. has taken a very hands-on approach to his recording career. The multi-talented Connick has called the shots at the numerous phases of his album projects--writing original material or picking songs, choosing the ensemble settings and writing arrangements, singing and playing piano, and with the aid of co-producer and ...
Petter Wettre's A Music Supreme
by Mark Corroto
Can Norwegian tenor saxophonist Petter Wettre be called the Branford Marsalis of Scandinavia?" Both saxophonists favor a big sound, steeped in tradition but not beholden to convention. Wettre was educated at Boston's Berklee College of Music before returning to his home and eventually founding Household Records, the primary vehicle for his output. His tastes run from ...
Eric Revis Quartet at the Jazz Gallery: Old-Time Rhythms
by Eric Benson
Eric Revis QuartetJazz GalleryNew York, NYAugust 28, 2009 I don't imagine the Eric Revis Quartet was assembled with reconciliation in mind, but to a hobbled veteran of the Jazz Wars--the squabbles and skirmishes over the music's boundaries that raged throughout the '80s, '90s, and early aughts--the lineup would look like an ...
Open-Air Jazz In And Around Moscow
by Cyril Moshkow
Moscow's summer is relatively brief: early June is normally the first really warm time during the year, and the final week of August normally the last; which means that most of the fifteen million people who live in and around the Russian capital try to take full advantage of those three short months. Those who can ...
Derek Nash: Snapshot
by Chris May
Despite releasing seven albums with his jazz/funk/fusion bands Sax Appeal and Protect The Beat, and a previous solo album, Setting New Standards (Jazzizit, 2000), British saxophonist Derek Nash remains something of an unsung hero. He has, perhaps, been engaged in such a diversity of projects--playing with pianist Jools Holland's Rhythm and Blues Orchestra, running his Clowns ...




