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Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
Orlando le Fleming "It's real out here"
by Leo Sidran
Bassist Orlando le Fleming on how to get a sound on the bass, why he puts “rhythm before notes," what were the advantages to starting his career in England, when it's to leave New York, who were his mentors, the “jazz struggle" and why “groove comes from culture." Plus, he discusses his experiences working ...
Art Blakey and the Young Lions - The Marsalis Bros., Donald Harrison Jr, Bobby Watson (1981 - 1991)
by Russell Perry
As the 1970s came to a close, many musicians searching for alternatives to jazz-rock fusion or free jazz found a home in straight-ahead acoustic jazz. Art Blakey and the Jazz Messengers, whose Blue Note contract was not renewed in 1964, had spent a decade in relative obscurity, when he came roaring back with a series of ...
A Jazz Immuno-Booster: Part 5
by Ludovico Granvassu
Back to popular demand! Here's some more musical therapy for these trying times, the fifth installment of this popular mix-tape series, featuring selections by Tim Berne, Theo Bleckmann, Stefano Bollani, Tommaso Cappellato, Taylor Ho Bynum, Dominique Fils-Aimé, Mats Gustaffson, Maya Keren, Brad Mehldau, Aaron Parks, Rosa Brunello and Ben Wendel. Happy listening! Stay safe ...
Spodie's Back
by Jim Trageser
Still a teenager when signed to Quincy Jones' Warner Bros. subsidiary, Qwest, trumpeter Derrick Shezbie was nonetheless a veteran on this debut as leader--having been playing in the traditionalist Rebirth Brass Band for several years already. Produced by fellow Crescent City native Delfeayo Marsalis, “Spodie's Back" is a much more modernistic outing than anything ...
Goodbye, Ellis Marsalis, Jazz Father
by Douglas Groothuis
The COVID-19 Reaper has claimed another senior statesman of pianist and educator, Ellis Marsalis, who left us on April 1. He was 85 and died in his home city of New Orleans, which has recently ignited as a hot spot for the menace virus. We will likely lose many senior jazz performers in the coming weeks ...
George Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
Omer Avital/Qantar: New York Paradox
by Fiona Ord-Shrimpton
The world in its collective viral neurosis is in a cold sweat. What to do? Store shelves are empty, hands have never been cleaner, and if all goes wrong, salaries may soon rise for those who will work. In these trying times, some days you simply must “Avital"—Omer Avital understands this. Thanks to his latest album, ...
About Branford Marsalis
Results for pages tagged "Branford Marsalis"...
Branford Marsalis
Born:
Growing up in the rich environment of New Orleans as the oldest son of pianist and educator Ellis Marsalis, Branford was drawn to music along with siblings Wynton, Delfeayo and Jason. His first instrument, the clarinet, gave way to the alto and then the tenor and soprano saxophones when the teenage Branford began working in local bands. A growing fascination with jazz as he entered college gave him the basic tools to obtain his first major jobs, with trumpet legend Clark Terry and alongside Wynton in Art Blakey’s legendary Jazz Messengers. When the brothers left to form the Wynton Marsalis Quintet, the world of uncompromising acoustic jazz was invigorated. Branford formed his own quartet in 1986 and, with a few minor interruptions in the early years, has sustained the unit as his primary means of expression. Known for the telepathic communication among its uncommonly consistent personnel, its deep book of original music replete with expressive melodies and provocative forms, and an unrivaled spirit in both live and recorded performances, the Branford Marsalis Quartet has long been recognized as the standard to which other ensembles of its kind must be measured. Its most recent recording, Four MFs Playin’ Tunes, was named Best Instrumental Jazz Album in 2012 by iTunes.
The Secret Between the Shadow and the Soul
Label: Okeh
Released: 2019
Track listing: Dance of the Evil Toys; Conversation Among the Ruins; Snake Hip Waltz; Cianna; Nilaste; Life Filtering from the Water Flowers; The Windup.
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