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Branford Marsalis Quartet: Metamorphosen
by Jeff Stockton
Branford Marsalis has always had contrarian tendencies. From joining Sting's band to quitting The Tonight Show, he's followed his own path, even when his motivations have moved him away from conventional jazz forms. Today, being the artistic director of his own record label (at a time when record labels are floundering) and playing with the same ...
Jonas Kullhammar Quartet: The Half Naked Truth 1998-2008
by Mark Corroto
Sometimes self indulgence is worth it. It is not decadence or overt extravagance for the Jonas Kullhammar Quartet to release an eight-CD boxset on the tenth anniversary of their association. In fact, the success of The Half Naked Truth 1998-2008 could result in inquiries into the remainder of the 40 hours of live recordings and session ...
Branford Marsalis Quartet: Braggtown
by Ken Dryden
On his fourth release for his own Marsalis Music label, Branford Marsalis shows why his quartet is among the best small groups currently active. With pianist Joey Calderazzo, bassist Eric Revis and drummer Jeff “Tain Watts joining him once more, Marsalis encouraged his musicians to write for the band, resulting in a wide range of fresh ...
Branford Marsalis Quartet: Braggtown
by Paul Olson
There's a huge difference between live jazz performances and studio jazz recordings. Neatly concise pieces that thrill on record can feel overly cautious on the stage, and stretched-out open forms that make audiences hoarse from cheering can simply be boring on CD. That's not to say that the only good jazz recordings feature tight arrangements and ...
Branford Marsalis Quartet: Braggtown
by John Kelman
Sometimes the smallest germ of an idea can generate grist for extended exploration. Many of the late saxophone giant John Coltrane's compositions from the early 1960s onward were proof of that. From the opening two bars of “Jack Baker, the first track on Braggtown, it's clear that the same concept still applies. For nearly two minutes ...
Branford Marsalis Quartet Performs Coltrane's A Love Supreme Live in Amsterdam
by John Kelman
Branford Marsalis Quartet Coltrane's A Love Supreme Live in Amsterdam Marsalis Music 2004 It takes a lot of gumption to tackle a classic like John Coltrane's A Love Supreme , and saxophonist Branford Marsalis has chosen to do it not once, but twice; first on the '02 ...
Coltrane's A Love Supreme: Live in Amsterdam
by Jim Santella
Branford Marsalis Quartet Coltrane's A Love Supreme: Live in Amsterdam Marsalis Music 2004 Branford Marsalis' extended performance of “A Love Supreme" provides his audience with 49 minutes of continuous improvisation. Memorable to all dedicated jazz listeners, John Coltrane's repeated theme occupies the quartet's focus throughout this heartfelt celebration. ...
Branford Marsalis Quartet: Eternal
by John Kelman
When you hear that an artist is doing a ballad record, the first thing that comes to mind is “accessible product, commercial album for the masses." And, truth be told, some records seem to fit that description perfectly--Michael Brecker's Nearness of You: The Ballad Book , for example, sported an ace team of players but was ...
Branford Marsalis Quartet: Eternal
by Jim Santella
Branford Marsalis is a deeply romantic artist. His isn't the kind of Pollyanna disposition, where everything seems rosy and bright no matter what others may think. Maybe Jay Leno's viewers had that misconception. No, this Marsalis is a deep thinker who respects his relationships with others enough to consider their intellect while baring his soul. This ...
Branford Marsalis Quartet: Romare Bearden: Revealed
by Mark F. Turner
The Branford Marsalis Quartet's latest release pays homage to one of America's least known but most inventive artists: Romare Bearden. The artist's central medium was collage which fused paint, clippings, paper and other materials into powerful visual works that are now on display across the country in venues such as the Smithsonian, colleges, and prestigious galleries. ...
