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The OGJB Quartet: Bamako

by Jerome Wilson
Over the last forty years, saxophonist Oliver Lake, cornet player Graham Haynes, bassist Joe Fonda and drummer Barry Altschul have played with one another in various configurations, but never all as one group. That changes with the arrival of the OGJB Quartet, a group where these four veteran improvisers come together for a powerful session of ...
Rich Halley: Terra Incognita

by Dan McClenaghan
Saxophonist Rich Halley usually sticks with his steady crowd. Indeed, when tallying Halley's collaborative compadres over the past couple of decades, his list of recorded with" players comes down to a handful of names: drummer Carson Halley, trombonist Michael Vlatkovich and bassist Clyde Reed. Add cornetist Bobby Bradford on a couple of outings. The same for ...
Satoko Fujii / Ramon Lopez: Confluence

by Karl Ackermann
Satoko Fujii's duo recordings are among her most interesting projects. Those one-on-one situations bring out creative energy in the improviser that becomes perpetual movement between musicians. The shape-shifting artist has worked this magic with Australian pianist Alister Spence, bassist Joe Fonda, violinists Mark Feldman and Carla Kihlstedt, and Fujii's husband, trumpeter Natsuki Tamura. Similarly, Fujii's work ...
Satoko Fujii/Ramon Lopez: Confluence

by Dan McClenaghan
Pianist Satoko Fujii has collected a lot of musical soul mates over her twenty-plus year, eighty-plus album career: pianist Paul Bley, her early mentor; trumpeter (and husband) Natsuki Tamura; electronics wizard/keyboardfisit Alister Spence, to name a few notables. All three have teamed with Fujii for at least one extraordinary duo album apiece, showcasing deep connections and ...
Two From The Giant Step Arts Label

by Jerome Wilson
Giant Step Arts is a non-profit organization and label dedicated to helping jazz musicians create the music they want to without worrying about the pressures of the marketplace. On two of their initial releases, that translates into concert recordings done at New York's Jazz Gallery where the bandleaders are free to work out their ideas in ...
Festival International de Jazz de Montréal 2019: Week 2

by Mark Sullivan
Various Venues Festival International de Jazz de Montréal Montréal, Canada July 2-6, 2019 The festival celebrated its 40th anniversary this year with the usual dazzling array of musical offerings. And a few that were unusual: including concerts celebrating the 50th anniversary of ECM Records (founder Manfred Eicher was awarded the Bruce ...
Festival International de Jazz de Montréal 2019

by John Kelman
Festival International de Jazz de Montréal Various Venues Montréal, Canada June 27 -July 1, 2019 Forty years. Not a lifetime, perhaps, but a remarkably long time for any festival to not only continue to exist but, despite increasing challenges, to thrive. An even greater achievement when it's the Festival International de ...
Summer 2019

by Doug Collette
Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Nick Sanders Trio Playtime 2050 Sunnyside Records 2019 The music inside the cover ...
Lafayette Gilchrist: Dark Matter

by Franz A. Matzner
Recorded live, pianist Lafayette Gilchrist's second solo recording, Dark Matter, embraces the long history of jazz bound to the beat and textures of a specific time and place, rather than stylistic pedigree or lineage of influencers. Its rhythms are the jackhammer throb, subway rattle, and relentless pulse of Baltimore, Philly, and Washington, D.C. It's textures the ...
Mark Dresser Seven: Ain't Nothing But a Cyber Coup & You

by Jerome Wilson
This is the second recording for the Mark Dresser Seven, a chamber jazz group led by bassist Mark Dresser with an unusual front line of flute, reeds, violin and trombone. Their first CD was highlighted by satiric social commentary and tributes to deceased colleagues. This new one follows the same pattern. Two tributes bookend ...