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New World Jazz Composers Octet: Breaking News
by Edward Blanco
Eight players does not a big band make, but The New World Jazz Composers Octet is a light ensemble offering an assertive sound reminiscent of a big band production. Boasting a cadre of educators and first-rate musicians, the group manages powerful orchestrations employing an exciting horn section, lively percussion and blistering piano work from Tim Ray ...
Kaze: Rafaele
by Dave Wayne
Trumpeter Natsuki Tamura and pianist Satoko Fujii are as furiously creative as they are prolific. These days, they release new music in batches of three or four CDs, each with different personnel, though often with some compositional overlap--completely forgivable, since the same material sounds completely different (often rewardingly so) in the hands of a different ensemble. ...
The Landrus Kaleidoscope: Capsule
by Dave Wayne
After exploring post-bop and free-ish jazz with his first two CDs, multi-reed player Brian Landrus extends his stylistic range into the realm of electric jazz with Capsule. Despite listing Fender Rhodes and electric guitar among the CD credits, Capsule is not really a fusion record. Rather, it's a jazz recording with some electronic instrumentation, along the ...
New World Jazz Composers Octet: Breaking News
by Hrayr Attarian
Established in 2000, in the spirit of the Mingus Jazz Workshop, the New World Jazz Composer's Octet sounds more like an orchestra than a group of eight musicians. On its third release, Breaking News, the octet showcases six contemporary composers affiliated with the ensemble. The music is intricate and well-constructed, with hints of ...
New World Jazz Composers Octet: Breaking News
by Andrew J. Sammut
The New World Jazz Composers Octet thrives on the old school idea of jazz composition as conduit to great jazz performance, and its third album, Breaking News, puts theory to practice from the outset with Matthew Nicholl's “Poco Picasso." The jutting melodic angles and tightly orchestrated front line arrest on their own merits, while also spurring ...
FAB Trio: History of Jazz in Reverse
by Jerry D'Souza
It is a travesty of fate--and of the American jazz establishment--that violinist Billy Bang never received the recognition he merited. Hosannas have been sung to him, many of them after he died, but the fact remains that he was kept on the periphery despite an admirable body of work. His virtuosity can be witnessed on recordings ...
Mikko Innanen & Innkvisitio: Clustrophy
by Jerry D'Souza
When a band parlays different styles and moods into one defining experience, as saxophonist Mikko Innanen and Innavista do on Clustrophy, it would be easy for some of the music to slip down the hatch of inconsequence. The band, however, keeps this at bay with an avid sense of observation and release, letting structure stamp the ...
Tony Jones: Pitch, Rhythm, and Consciousness
by Matt Marshall
On this ruminative record--and, indeed, it is a record, released primarily on vinyl, with MP3 downloads available--saxophonist Tony Jones, violinist Charles Burnham and percussionist Kenny Wollesen show themselves wholly comfortable within the quiet sonic space about them. Jones is the lead voice--the lead traveler, as it were--working his way across a terrain that is at once ...
The Landrus Kaleidoscope: Capsule
by Hrayr Attarian
On Capsule his second album on his own BlueLand label, baritone saxophonist and reed multi-instrumentalist, Brian Landrus pushes the boundaries of jazz and explores a more fusion-like style inspired by Motown and other related genres. Contributing to this electric sound is the addition of Nir Felder to the rhythm section whose Jimi Hendrix-like ...
Jon Lundbom and Big Five Chord: Quavers! Quavers! Quavers! Quavers!
by Dave Wayne
Hot Cup Records has quickly established a reputation for documenting some of the most adventurous and quirky modern jazz around today. The label's flagship band, Mostly Other People Do The Killing (MOPDTK), is an incredibly energetic collective whose members seem to be popping up on all sorts of recordings these days. Half of MOPDTK, saxophonist Jon ...
