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Wadada Leo Smith: Ten Freedom Summers
by Mark Redlefsen
Wadada Leo SmithTen Freedom SummersCuneiform Records2012Jazz music and the Civil Rights Movement in America have moved on parallel tracks from the 20th century up until the present. Freedom Suite (Riverside, 1958) by saxophonist Sonny Rollins, We Insist! Max Roach's Freedom Now Suite (Candid, 1960) by drummer Max Roach ...
Curtis Fuller: Down Home
by Edward Blanco
Legendary trombonist Curtis Fuller was 22 years old when he played on John Coltrane's landmark Blue Train (Blue Note, 1957), and the saxophonist remained best friends with Fuller during the 1950s and '60s. In 2005, the trombonist met saxophonist Keith Oxman, and has since developed a friendship leading to Fuller's favorable comparison of his new friend ...
Sumi Tonooka: Now
by Dan McClenaghan
Sumi Tonooka is a resourceful jazz pianist who, along with alto saxophonist Chris Burnett and tenor saxophonist Erica Lindsay, started the Artists Recording Collective, offering up Initiation (2010), an excellent quartet outing which Tonooka co-led with Lindsay, and a more intimate Tonooka-led trio effort, Long Ago Today (2008). A former student of piano legend Mary Lou ...
Wadada Leo Smith: Sounding America’s Freedom
by Franz A. Matzner
Trumpeter Wadada Leo Smith has been at the forefront of musical invention for 40 years and has recently entered a late-career renaissance. In May, 2012, this seminal musician released his greatest effort to date, Ten Freedom Summers (Cuneiform), a 30-year in-the-making testament to the power of civil rights and the importance of artistic engagement in social ...
Wadada Leo Smith: Ten Freedom Summers
by Jeff Dayton-Johnson
Wadada Leo SmithTen Freedom SummersCuneiform Records2012Trumpeter and composer Wadada Leo Smith's Ten Freedom Summers is four and a half hours of music, spread over four compact discs. The mind struggles to make coherent sense of so large an undertaking. Smith has said that there are no recurring musical ...
Jazz Singer/Songwriters Part II: Maria Neckam and Tanya Balakyrska
by C. Michael Bailey
“Jazz Singer/Songwriters Part I: Louise Van Aarsen and Rebecka Larsdotter"“ featured two new artists standing in the middle of the adult contemporary jazz vocals map. Both discs have elements of mainstream acoustic and mainstream contemporary electric jazz and feature original compositions by the singers themselves. Where Maria Neckam and Tanya Malakyrska differ is in their concerted ...
Ran Blake and Christine Correa: Down Here Below
by Hrayr Attarian
Starting with the inimitable Jeanne Lee, pianist Ran Blake has been collaborating with adventurous vocalists for half a century. These are singers who are not satisfied by merely parroting the old repertoire in the same tried and true, but also musty and tired way. These are musicians whose vocal cords command close listening, as is the ...
Rich Halley 4: Back From Beyond
by Dan McClenaghan
Tenor saxophonist Rich Halley can be relied upon to rip it up, either live or in the studio. His forte is free jazz that always seems to threaten to power into some steroidal bebop. He has released a string of fine records on the now-dormant Louie Records--including, perhaps the best of these, the no-holds-barred The Blue ...
Rick Drumm: Seizing the Day
by Ian Patterson
It's good to have dreams, but it's even better to follow them, to see them take shape before your eyes and to live them. Rick Drumm has lived more than one dream. Three years as drummer with NORAD, the North American Air Defense Band, was followed by two years drumming in the famous Ringling Bros. and ...
Maria Neckam: Unison
by Dan Bilawsky
Sophisticated pop, art song and modern jazz don't often get along, but vocalist Maria Neckam is the tie that binds them. The Austrian-born, New York-based Neckam turned plenty of heads with Deeper (Sunnyside, 2010), which featured her entrancing soprano and showcased her strong songwriting skills; she returns with an equally engaging program on her sophomore outing ...
