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Charles Evans: On Beauty
by Budd Kopman
When “uncompromising" is used to describe a musician, one of the first word that usually comes to mind is “difficult," as in “difficult to understand." The musician in question puts out music which dispenses with that which the mind uses to recognize patterns: rhythm, harmony and melody. Furthermore, music which eschews euphony is invariably called “difficult." ...
Maria Schneider Orchestra: The Thompson Fields
by Budd Kopman
The singular achievement of Maria Schneider is to merge the particular with the universal: to use her very personal experiences and memories as grist for music which is aurally beautiful and deeply infused with love. This love originates from Schneider the person and artist; it is amplified and returned by those directly involved in ...
Ran Blake: Ghost Tones: Portraits of George Russell
by Mark Sullivan
Pianist/composer Ran Blake presents a loving tribute to his late colleague George Russell in a diverse program anchored by his sensitive piano playing. Blake and Russell taught together at the New England Conservatory for many years. Russell was immensely influential as a modal jazz theorist, but Blake loves his compositions above all. He interprets several of ...
Kaze: Uminari
by John Sharpe
The prolific husband and wife team of pianist Satoko Fujii and trumpeter Natsuki Tamura has found yet another fertile vehicle in Kaze. French drummer Peter Orins and trumpeter Christian Pruvost combines with the Japanese pair In an unusual instrumentation. On their third offering Uminari the combo stretches the boundaries even more than on previous outings, and ...
Chris McNulty: Eternal
by Blaine Fallis
Losing a child. The pain can't be explained, although a close personal friend of ours lost their first born during childbirth. After the months of preparation, the painting of rooms, the choosing of a name. In response to their loss, they built a gorgeous rose garden, and placed poetic emblems on the back fence. And our ...
Kaze: Uminari
by Budd Kopman
Uminari is the third release, following Rafaele and Tornado, from the cooperative quartet Kaze, made up of pianist Satoko Fujii, the dual trumpets of Christian Pruvost and Natsuki Tamura and drummer Peter Orins. While the quartet's configuration is unusual, it is also different from Fujii's viewpoint in that she is not the leader, but rather one ...
Milford Graves/Bill Laswell: Space / Time - Redemption
by John Sharpe
Drummer Milford Graves boasts a pedigree stretching back to the first tide of Free Jazz in the 1960s, most prominently as the drummer for the storied New York Art Quartet. His infrequent forays onto disc since have resulted in underground classics such as Nommo (SRP, 1966) with pianist Don Pullen and Babi Music (IPS, 1976) with ...
Maria Schneider Orchestra: The Thompson Fields
by Dan McClenaghan
It's always interesting to discuss the jazz greats of yesteryear and swap thoughts on how the new generation of artists stacks up against the likes of John Coltrane, Miles Davis, Charlie Parker, Duke Ellington. And it's quite possible that the consensus opinion there would be that virtually no one working today can compare favorably to those ...
Milford Graves/Bill Laswell: Space / Time - Redemption
by Dave Wayne
An unlikely duo, yet-somehow-also the perfect duo, electric bassist Bill Laswell and multi-percussionist Milford Graves generate all sorts of musical fire on Space -Time: Redemption. Once again, TUM Records' lush packaging includes numerous photos, copious liner notes, and some uncannily prescient poetry by longtime Laswell associate Umar Bin Hassan. One of the photos shows Graves adjusting ...
Maria Schneider Orchestra: The Thompson Fields
by C. Michael Bailey
Composer and band leader Maria Schneider has only a single peer... Carla Bley. Both women are direct descendants of Duke Ellington and the spiritual children of Hector Berlioz. They are not masters of a single instrument, but of collections of instruments and their achievement is realized from directing those instruments in a given direction dictated by ...
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