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55

News: Festival

B-52s to Headline Outdoor Concert at Montreal International Jazz Festival

With the Festival International de Jazz de Montréal just around the corner, organizers are thrilled to announce the players in our three major free outdoor events: Ben l'Oncle Soul opens the festivities with the Rio Tinto Alcan Opening Event on Saturday, June 25, with Misteur Valaire taking over on Tuesday, June 28 to keep Festival fans ...

206

Article: Live Review

Colin Vallon Trio: New York, NY, May 20, 2011

Read "Colin Vallon Trio: New York, NY, May 20, 2011" reviewed by Warren Allen


Colin Vallon TrioRubin Museum of ArtNew York, NYMay 20, 2011 New York City's Rubin Museum houses a large collection of fine art from the Himalayans, much of it with religious symbolism. In partnership with the National Jazz Museum in Harlem, the museum has also become a home for a series ...

272

Article: Extended Analysis

Bill Carrothers Trio: A Night at the Village Vanguard

Read "Bill Carrothers Trio: A Night at the Village Vanguard" reviewed by Dan McClenaghan


Bill Carrothers Trio A Night At The Village Vanguard Pirouet Records 2011 Maybe everything that goes down in New York's Village Vanguard should be documented. The history of live albums recorded at the legendary venue, going back to the early days, includes standout sets by pianist Bill Evans and saxophonists ...

193

Article: Extended Analysis

Konitz/Mehldau/Haden/Motian: Live at Birdland

Read "Konitz/Mehldau/Haden/Motian: Live at Birdland" reviewed by John Kelman


Grist for what seems like an endless flow of recordings, The Great American Songbook has, ultimately, become as much a crutch as it is an inspiration. There's no denying the staying power of music that's near-Jungian in its collective familiarity, but if an artist is simply running down the tunes, à la Real Book--head, solo, head--the ...

171

News: Recording

Konitz/Mehldau/Haden/Motion "Live at Birdland"

Konitz/Mehldau/Haden/Motion "Live at Birdland"

Konitz, Mehldau, Haden and Motian Live At Birdland Lee Konitz: alto saxophone Brad Mehldau: piano Charlie Haden: double-bass Paul Motian: drums A quartet of master musicians and a programme of jazz classics. “Live At Birdland" presents the finest moments from two inspired nights at New York's legendary club, as Konitz, ...

434

Article: Interview

Matt Penman: Down on James Farm

Read "Matt Penman: Down on James Farm" reviewed by R.J. DeLuke


Matt Penman and his bass have inhabited a variety of musical places and spaces in recent years, all of them on a very high level. That speaks to his abilities on his instrument, and his adaptability to diverse situations. He of the fluid hands, rich sound and steady, melodic pulse always comes through. That's why he's ...

137

Article: Album Review

Jason Parker Quartet: Five Leaves Left

Read "Five Leaves Left" reviewed by Greg Simmons


For its fourth album, the Jason Parker Quartet takes a sharp departure from its previous three efforts. Rather than simply cutting another solid straight-ahead quartet date, trumpeter Parker has added vocalist Michele Khazak, and multi-woodwind blower Cynthia Mullis, to reinterpret an entire folk-pop album: Nick Drake's Five Leaves Left (Island Records, 1969). Despite being far outside ...

391

Article: Live Review

Portland Jazz Festival 2011 - A Look Back

Read "Portland Jazz Festival 2011 - A Look Back" reviewed by Lloyd N. Peterson Jr.


Portland Jazz FestivalPortland, OregonFebruary 18-27, 2011 Promoter Bill Royston and general manager Don Lucoff have once again pulled off a hat trick of significant proportions. With the arrival and guest appearance of perhaps the greatest “star" that jazz has welcomed since Wynton Marsalis, this year's Portland Jazz Festival had the makings to ...

184

News: Performance / Tour

The Accessible Brad Mehldau: Live at the Dakota

The Accessible Brad Mehldau: Live at the Dakota

The temptation to compare Brad Mehldau to Keith Jarrett can be irresistible. For better or worse, usually better. Both seemed to materialize fully formed, highly praised, with their first recordings. And unlike some who have been lauded early and then forgotten (or at least, ignored), both Jarrett and Mehldau maintained and surpassed their first successes with ...

883

Article: Interview

Ambrose Akinmusire: Emerging Heart

Read "Ambrose Akinmusire: Emerging Heart" reviewed by R.J. DeLuke


"My favorite instrument is the cello," said the easygoing young musician in early February, from his apartment in Manhattan, where he referred to himself jokingly as “a hibernating jazzman." His West-Coast roots weren't taking a firm grip in the frigid temperatures of the Northeast. “Me and strings just don't get along. I can play piano; I ...


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