Home » Search Center » Results: Bobby Hutcherson

Results for "Bobby Hutcherson"

Advanced search options

382

Article: Multiple Reviews

Bobby Hutcherson: Pushing The Vibes Forward

Read "Bobby Hutcherson: Pushing The Vibes Forward" reviewed by Robert Iannapollo


Grachan Moncur III Evolution Blue Note 1963 John Coltrane / Archie Shepp New Thing At Newport Impulse 1965 Bobby Hutcherson Head On Blue Note 1971

658

Article: Extended Analysis

Eric Dolphy: Out To Lunch! - 45 rpm Reissue

Read "Eric Dolphy: Out To Lunch! - 45 rpm Reissue" reviewed by Matt Marshall


Eric Dolphy Out To Lunch! Blue Note / Music Matters 2009 (1964) Few jazz fans still need an introduction to reed player Eric Dolphy's 1964 masterpiece, Out to Lunch!. It's an album people tend to come to fairly early on in their love affair with the music (assuming, that is, ...

784

Article: Interview

Stefon Harris: Authenticity and Audacity

Read "Stefon Harris: Authenticity and Audacity" reviewed by R.J. DeLuke


Authenticity is a special word for vibraphone wizard Stefon Harris when it comes to his art, which springs from the tradition of jazz music, but is approached through a modern lens that takes into account the sounds and perspective of 2009. He has enough audacity--also a special word for Harris--to say it clearly, to ...

233

Article: Take Five With...

Take Five With Benny Reid

Read "Take Five With Benny Reid" reviewed by AAJ Staff


Instrument(s):Alto saxophone.Teachers and/or influences?Starting with my alto sax teacher in high school, Andy Fusco of Buddy Rich Band fame, and throughout college at Indiana University I studied with Tom Walsh, who is a great jazz and classical player that really knows how to bring out the individualism in each student. ...

187

News: Recording

Recent Listening: Stefon Harris

Recent Listening: Stefon Harris

Stefon Harris And Blackout, Urbanus (Concord). Harris is one of the brightest legatees of the vibraphone tradition glorified by Milt Jackson and such of his successors as Walt Dickerson, Cal Tjader and Bobby Hutcherson. The Jackson school played an important part in Harris's development as a soloist. But, born in 1973, he came to maturity in ...

278

Article: Album Review

Klang: Tea Music

Read "Tea Music" reviewed by Troy Collins


Formed in 2006 for a now defunct improvised music series, Klang has since become one of Chicago-based clarinetist James Falzone's primary working groups. An update of the swing era clarinet and vibes combination popularized by Benny Goodman and Lionel Hampton, the quartet (which features vibraphonist Jason Adasiewicz, bassist Jason Roebke and drummer Tim Daisy) taps into ...

322

Article: Album Review

James Falzone / Klang: Tea Music

Read "Tea Music" reviewed by Mark Corroto


The much-admired 1950s work of clarinetist Jimmy Giuffre is the inspiration for James Falzone's quartet, known as Klang. But like most things emanating from the insular world of Chicago jazz, the signature is never forged. Falzone, a clarinetist, has explored many musical forms, from classical and chamber music to French folk and jazz. He ...

468

Article: Take Five With...

Take Five With Adam Shulman

Read "Take Five With Adam Shulman" reviewed by AAJ Staff


Meet Adam Shulman:Adam Shulman has been a staple of the San Francisco jazz scene since he moved to the city in 2002. Before the move, Adam was a student at UC Santa Cruz, where he studied with the great Smith Dobson and trumpeter/arranger Ray Brown. He received his degree in classical performance under the ...

1,016

Article: Live Review

Umbria Jazz: Days 4-6, July 13-15, 2009

Read "Umbria Jazz: Days 4-6, July 13-15, 2009" reviewed by Michael J. West


Days 1-3 | Days 4-6 | Days 7-10 The next three days of the Umbria Jazz began with two concert series that promised to be intriguing. American vibraphonist Joe Locke performed three times with Italian pianist Dado Moroni and saxophonist Rosario Giuliani at the very small Oratorio Santa Cecilia church. The trio is recording an ...

321

Article: Album Review

Mike DiRubbo: Repercussion

Read "Repercussion" reviewed by C. Michael Bailey


The immediate appeal of alto saxophonist Mike DiRubbo's Repercussion is the replacement of the piano by the vibraphone as the rhythm section's harmony instrument. Guitar-based and piano-less rhythm sections have made their way into the mainstream, leaving the vibraphone-based rhythm section still a novelty. DiRubbo is certainly not the first to employ such a format. Trombonist ...


Engage

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.