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Bobby Hutcherson: The Kicker
It's unclear why Bobby Hutcherson's The Kicker wasn't released by Blue Note until 1999, despite being recorded in 1963. The album is flawless as far as I can tell. It swings, it's engaging, the musicians on the session were spectacular and there don't appear to be any instrumental errors or microphone snafus. If I were guessing, ...
Grachan Moncur III: Evolution
by Greg Simmons
One of the more unusual records in Music Matters series of Blue Note Records reissues is Grachan Moncur III's avant-garde classic Evolution, released here on a 45 rpm double LP. The Music Matters Blue Notes are among the highest quality jazz vinyl available, with fanatical attention to sound, packaging, and pressing quality, here doing serious justice ...
Sonny Rollins: Holding the Stage: Road Shows Vol. 4
by Chris M. Slawecki
At this point in his long and storied career, tenor saxman Sonny Rollins is probably incapable of releasing genuinely bad music (which isn't as obvious a statement as it may seem if, for example, you've tried to listen to Bob Dylan's Shadows in the Night Sinatra homage). Still, some sets are better than others, and Sonny ...
From Microtones to Mauro to MFSB
by Chris M. Slawecki
Dave Fiuczynski Flam! Blam! Pan-Asian Microjam! RareNoise Records 2016 Simultaneously dedicated to 20th century classical composer Olivier Messiaen and legendary rap and hip-hop producer J Dilla, Flam! Blam! Pan-Asian Microjam! is a musical adventurer's dream and a purist's nightmare. But anything more conventional from conceptualist, composer and guitarist ...
Bob Cranshaw + Kay Starr
Bob Cranshaw (1932-2016), a Chicago-born jazz bassist who began recording in 1957 and became a significant force in the 1960s starting with Sonny Rollins' seminal album, The Bridge, in 1962, died on Nov. 2. He was 83. At a time when even the best jazz bassists seemed interchangeable to the average listener, Bob's playing stood out ...
Bob Cranshaw, 1932-2016
Bassist Bob Cranshaw succumbed to bone cancer yesterday at his home in New York City. He was 83. He may be best remembered as Sonny Rollins’s bassist for more than half a century, but Cranshaw’s career also included mainstay work with Dexter Gordon, James Moody, Kai Winding, Wes Montgomery, Duke Pearson, Mose Allison, Oliver Nelson, and ...
Eric Alexander: Second Impression
by Jack Bowers
Not only has tenor saxophonist Eric Alexander recorded more than thirty-five albums as a leader since arriving in New York City some twenty years ago, he has appeared on almost as many others as a sideman. He's such an earnest blue-collar worker that one almost expects him to carry his saxophone in a lunch pail instead ...
Paul Winter Sextet: Count Me In
by Duncan Heining
The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...
Mike LeDonne: AwwlRight!
by Jack Bowers
On AwwlRight!, his eighth outing at the Hammond B3 for Savant Records, pianist-turned-organist Mike LeDonne uses the same personnel and prescription that have worked so well for him in the past, guiding his sure-handed Groover Quartet through its paces in a series of bracing tunes that are all but guaranteed to quicken the mind and enliven ...
Band Ambition: Sherrie Maricle and Diva
by Richard J Salvucci
In the iconic photo A Great Day in Harlem (1958), bandleader and pianist Count Basie has taken a seat on the curb. Eleven neighborhood kids and one ringer, Taft Jordan Jr, are seated single file to Basie's right. Marian McPartland and Mary Lou Williams stand behind the kids, chatting. They are bookended, appropriately, by Oscar Pettiford ...
