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124

Article: Album Review

The Jazz Mandolin Project: Xenoblast

Read "Xenoblast" reviewed by David Adler

by David Adler

The Jazz Mandolin Project may now have this major label debut under its belt, but in various incarnations, the unconventional trio has been touring and recording since 1993. With the current jam band craze, and the legitimacy the genre is gaining in the jazz world, it is finally the right moment for leader/mandolinist Jamie Masefield’s quirky ...

218

Article: Album Review

Jason Moran: Facing Left

Read "Facing Left" reviewed by Jim Santella

by Jim Santella

A creative artist, who espouses originality, Jason Moran has sidestepped the critics with his modern mainstream approach that blends in elements from all over the spectrum. The pianist and composer has been reviewed with eyes and ears that paint his melodies as unmemorable and academic. It’s possible that some of the criticism has been tempered by ...

189

Article: Album Review

Erik Truffaz: The Mask

Read "The Mask" reviewed by Jim Santella

by Jim Santella

Erik Truffaz's sweet, open trumpet tone reveals the influence of a 1970s Miles Davis. The Fender Rhodes with echo serves to drive that message home. Most of the compilation employs acoustic bass and a tasteful drummer in the mainstream jazz tradition. However, it's the French trumpeter's intimacy with Davis' fusion periods that takes center stage. From ...

177

Article: Album Review

Denise Jannah: The Madness of our Love

Read "The Madness of our Love" reviewed by Dave Nathan

by Dave Nathan

Denise Jannah's first album for Blue Note turns out to be a delightful excursion in straight ahead singing fortified by very imaginative, but not off the charts, arrangements played by talented and appreciative backup musicians. Denise Jannah is not new to the singing world, having been in the game for about 10 years. She graduated from ...

154

Article: Album Review

Erik Truffaz: The Mask

Read "The Mask" reviewed by Jim Santella

by Jim Santella

Erik Truffaz’ sweet, open trumpet tone reveals the influence of a 1970s Miles Davis. The Fender Rhodes with echo serves to drive that message home. Most of the compilation employs acoustic bass and a tasteful drummer in the mainstream jazz tradition. However, it’s the French trumpeter’s intimacy with Davis’ fusion periods that takes center stage. From ...

269

Article: Album Review

Jason Moran: Facing Left

Read "Facing Left" reviewed by Mark Corroto

by Mark Corroto

As I remembered it from world history, it is rarely the revolutionaries that end up ruling after their coup. The same can be said of jazz revolutionaries. Buddy Bolden, perhaps the father of jazz, never recorded. Charlie Parker, father of the bebop revolution, died at age 34 never attaining mass popularity in his lifetime. Even the ...

193

Article: Album Review

Frank Emilio: Ancestral Reflections

Read "Ancestral Reflections" reviewed by AAJ Staff

by AAJ Staff

Imagine the ups and downs of Cuban professional musicianship through the decades since the Second World War: radio broadcasts and idolization in the 1940's, Dizzy Gillespie's discovery of the music in the 1940's, the spread of Cuban rhythms to the U.S. public in the 1950's, the crackdown on the dissemination of information and culture beyond the ...

134

Article: Album Review

the Jazz Mandolin Project: Xenoblast

Read "Xenoblast" reviewed by Rob Evanoff

by Rob Evanoff

The Jazz Mandolin Project? Mandolin and Jazz? Jazz played by a Mandolin? Throw your preconceptions out the window and open up your ears to experience a Xenoblast through time. The Jazz Mandolin Project, who are at home at the Bell Atlantic Jazz Festival or a Jamband Festival such as the Berkshire Mountain Music Fest, return with ...

253

Article: Album Review

Joe Lovano: 52nd Street Themes

Read "52nd Street Themes" reviewed by Jim Santella

by Jim Santella

Although there are only ten artists and three of them share the tenor saxophone chair, Joe Lovano’s latest Blue Note album is a big band affair made possible by gifted arranger Willie “Face" Smith. Compositions by Tadd Dameron and other well-known bebop legends from the 52nd Street era represent lovely mood-setting devices for each soloist. And ...

186

Article: Album Review

Brian Blade Fellowship: Perceptual

Read "Perceptual" reviewed by Jim Santella

by Jim Santella

Fellowship lead instrumentalists Kurt Rosenwinkel, Jon Cowherd and Brian Blade work the modern mainstream of jazz through creative impressionism and expressive jams. Saxophonists Melvin Butler and Myron Walden work alongside bass and pedal steel guitar to produce a distinctive set of timbres. They're thrilling from start to finish; and yet, Fellowship is driven by a drummer ...


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