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344

Article: Album Review

Andrew Hill: Lift Every Voice

Read "Lift Every Voice" reviewed by David Adler


Originally released in 1969, Lift Every Voice was one of the last of Andrew Hill's early Blue Note sessions, and easily one of the most unorthodox. Featuring a jazz quintet augmented by a small choir, the album brings to mind some of Steve Lacy's work with Irene Aebi, or the vocal tracks on Ornette Coleman's Science ...

159

Article: Album Review

Stefano Di Battista: Stefano Di Battista

Read "Stefano Di Battista" reviewed by Jim Santella


You can hear it in his originals. John Coltrane. Johnny Hodges. Art Pepper. Jackie McLean. Cannonball Adderley. Saxophonist Stefano Di Battista has studied the best. A native of Rome, the leader just turned thirty-two. While working in Paris, Di Battista has earned the kind of recognition that opens doors. This is his third album as leader, ...

198

Article: Album Review

George Braith: The Complete Blue Note Sessions

Read "The Complete Blue Note Sessions" reviewed by David Adler


George Braith is not as widely known as Roland Kirk, but he too made indisputably musical sounds playing two horns simultaneously. He in fact played one of Kirk’s signature instruments, the stritch (a type of straight alto), often in tandem with the soprano. This Blue Note reissue combines the three albums Braith made for the label ...

210

Article: Album Review

Mose Allison: The Mose Chronicles - Live In London, Vol. 1

Read "The Mose Chronicles - Live In London, Vol. 1" reviewed by Mark Corroto


With fifty-plus years of performance behind him, the 73 year-old Mose Allison continues to perform 125 shows per year. The Mississippi-born pianist traveled to New York in 1951, but his music has never left the Delta. His brand of blues-inflected jazz was first inspired by Louis Jordan and his piano trio has been heavily influenced by ...

203

Article: Album Review

Joe Lovano: Flights of Fancy

Read "Flights of Fancy" reviewed by AAJ Staff


While Joe Lovano's first Trio Fascination disc explored the spectrum of musical possibilities within a fixed unit, Edition Two goes exactly the opposite way. With four different trios (and playing seven different instruments), Lovano offers variety--and more to spare. On Flights of Fancy, his second celebration of the trio, Lovano plays roles both as melodic leader ...

191

Article: Album Review

Joe Lovano: Flights Of Fancy: Trio Fascination, Edition Two

Read "Flights Of Fancy: Trio Fascination, Edition Two" reviewed by Jim Santella


With four decidedly different trios, Joe Lovano pushes the mainstream jazz envelope along its meandering course. The tenor saxophonist’s brusque tone stands apart as distinctively as his passion for molding the art form. This is a blue-collar effort from a creative, dues-paying, veteran artist. Consider the nonstandard combinations the leader employs here. Lovano joins Toots Thielemans ...

228

Article: Album Review

Joe Lovano: Flights Of Fancy: Trio Fascination, Edition 2

Read "Flights Of Fancy: Trio Fascination, Edition 2" reviewed by AAJ Staff


Will Joe Lovano never cease to amaze?“Flights Of Fancy" being a literary term for the human capacity for “imagination," Lovano's new trio CD is aptly named.Following up on his 1998 trio CD with Dave Holland and Elvin Jones, “Trio Fascination, Edition 1," Lovano imaginatively transforms even the expectations for a reed-led trio ...

174

Article: Album Review

Chucho Vald: Solo: Live In New York

Read "Solo: Live In New York" reviewed by Jim Santella


Recorded in 1998 at Jazz At Lincoln Center in New York, Chucho Valdés' solo piano album brings familiar melodies to the audience with his personal zeal for powerful rhythms ingrained. Zestful ideas and constant shifts characterize his approach. Opening with a heartfelt ballad and including such familiar melodies as “Bésame Mucho" and “Somewhere Over the Rainbow," ...

428

Article: Album Review

Dianne Reeves: The Calling: Celebrating Sarah Vaughan

Read "The Calling: Celebrating Sarah Vaughan" reviewed by Jim Santella


Dianne Reeves and Sarah Vaughan have a lot in common. They share an emotional, from-the-heart form of communicating with an audience. A full, rich vocal tone and dramatic spirit bring them closer together with every phrase. Both appreciate a beautiful song, and both augment their presentations with unique, wordless vocal styles. With a full string orchestra ...

445

Article: Album Review

Ron Carter: When Skies Are Grey...

Read "When Skies Are Grey..." reviewed by C. Andrew Hovan


Sometimes knowing the whole story can enhance the appreciation of a work of art. In the case of When Skies Are Grey..., the death of Carter's wife around the same time as the recording session helped make the disc a tangible example of the human spirit overcoming adversity. Far from the gloomy state that its title ...


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