Results for "Blue Mitchell"
Results for pages tagged "Blue Mitchell"...
Blue Mitchell was born March 13, 1930 in Miami, Florida. He took up trumpet in high school where he acquired his nickname. After high school, he toured with R&B bands led by Paul Williams, Earl Bostic, and Chuck Willis. After returning to Miami, he was heard by Cannonball Adderly, who took him to New York to record for Riverside in 1958. Mitchell gained a reputation working with Horace Silver’s quintet from 1958 to March of 1964, where his lyrical playing and beautiful tone perfectly complemented Silver’s simplified, soulful brand of bop. When Silver disbanded in 1963, Mitchell formed his own group, employing most of his fellow musicians, with Silver's place being taken by Chick Corea
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. [Silver]'s only mistake," he wrote, was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
By John Mayall
Label: Madfish Music
Track listing: CD 1 (John Mayall Plays John Mayall, 1965)
Crawling Up a Hill; I Wanna Teach You Everything; When I'm Gone; I Need Your Love; The Hoot Owl; R&B Time: Night Train/Lucille; Crocodile Walk; What's the Matter with You; Doreen; Runaway; Heartache: Chicago Line; Crocodile Walk (Bonus, Single Version).
CD 2 (I'm Your Witchdoctor/Telephone Blues single, 1965)
I'm Your Witchdoctor; Telephone Blues.
CD 3 (Lonely Years/"Bernard Jenkins" single, 1966)
Lonely Years; "Bernard Jenkins".
CD 4 (Blues Breakers with Eric Clapton Disc 1 (mono), 1966)
All Your Love; Hideaway; Little Girl; Another Man; Double Crossing Time; What'd I Say; Key to Love; Parchman Farm; Have You Heard; Ramblin' on My Mind; Steppin' Out; It Ain't Right.
CD 5 (Blues Breakers with Eric Clapton Disc 2 (stereo + bonus), 1966)
All Your Love; Hideaway; Little Girl; Another Man; Double Crossing Time; What'd I Say; Key to Love; Parchman Farm; Have You Heard; Ramblin' on My Mind; Steppin' Out; It Ain't Right; Intro into Maudie (Bonus, Live at the Flamingo Club, 1965/11); It Hurts to Be in Love (Bonus, Live at the Flamingo Club, 1965/11); Have You Ever Loved a Woman (Bonus, Live at the Flamingo Club, 1965/11); Bye Bye Bird (Bonus, Live at the Flamingo Club, 1965/11); I'm Your Hoochie Coochie Man (Bonus, Live at the Flamingo Club, 1965/11).
CD 6 (All My Life EP, 1967)
All My Life; Ridin' on the L and N; Little by Little; Eagle Eye.
CD 7 (A Hard Road, 1967)
A Hard Road; It's Over; You Don't Love Me; The Stumble; Another Kinda Love; Hit the Highway; Leaping Christine; Dust My Blues; There's Always Work; The Same Way; The Supernatural; Top of the Hill; Someday After Awhile (You'll Be Sorry); Living Alone.
CD 8 (Crusade, 1967)
Oh, Pretty Woman; Stand Back Baby; My Time After Awhile; Snowy Wood; Man of Stone; Tears in My Eyes; Driving Sideways; The Death of J.B. Lenoir; I Can't Quit You Baby; Streamline; Me and My Woman; Checkin' Up on My Baby; Rubber Duck (Bonus).
CD 9 (The Blues Alone, 1967)
Brand New Start; Please Don't Tell; Down the Line; Sonny Boy Blow; Marsha's Mood; No More Tears; Catch That Train; Cancelling Out; Harp Man; Brown Sugar; Broken Wings; Don't Kick Me; Brand New Start (Bonus, First Version); Marsha's Mood (Bonus, First Version).
CD 10 (The Diary of a Band Volume One, 1967)
Blood on the Night; Edmonton - Cooks Ferry Inn (Impromptu); I Can't Quit You Baby; Medley (Keef Hartley Speech (Impromptu), Anzio Annie, Keef Hartley Interview into John Mayall Interview, Snowy Wood, John Mayall Interview, The Lesson); My Own Fault; God Save the Queen.
CD 11 (The Diary of a Band Volume Two, 1967)
Gimme Some Lovin' / The Train; Crying Shame; Local Boys Makes Good (Impromptu Speech Only); Help Me; Blues in B Flat; Soul of a Short Fat Man.
CD 12 (Bare Wires, 1968)
Bare Wires Suite; I'm a Stranger; No Reply; Hartley Quits; Killing Time; She's Too Young; Sandy; Intro - Look at the Girl (Bonus, Live at Falmer College, Brighton); Start Walkin' (Bonus, Live at Falmer College, Brighton).
CD 13 (Blues from Laurel Canyon, 1968)
Vacation; Walking on Sunset; Laurel Canyon Home; 2401; Ready to Ride; Medicine Man; Somebody's Acting Like a Child; The Bear; Miss James; First Time Alone; 1 Long Gone Midnight; Fly Tomorrow; 3 2401 (Bonus, Single Version); Wish You Were Mine (Bonus, Live in Sweden)
CD 14 (Looking Back, 1969)
Mr James; Blues City Shake Down; They Call It Stormy Monday; So Many Roads; Looking Back; Sitting in the Rain; It Hurts Me Too; Double Trouble; Suspicions; Jenny; Picture on the Wall.
CD 15 (The Turning Point, 1969)
The Laws Must Change; Saw Mill Gulch Road; I'm Gonna Fight for You J.B.; So Hard to Share; California; Thoughts About Roxanne; Room to Move; Sleeping by Her Side (Bonus); Don't Waste My Time (Bonus); Can't Sleep This Night (Bonus).
CD 16 (Empty Rooms, 1969)
Don't Waste My Time; Plan Your Revolution; Don't Pick a Flower; Something New; People Cling Together; Waiting for the Right Time; Thinking of My Woman; Counting the Days; When I Go; Many Miles Apart; to a Princess; Lying in My Bed.
CD 17 (USA Union, 1970)
Nature's Disappearing; You Must Be Crazy; Night Flyer; Off the Road; Possessive Emotions; Where Did My Legs Go; Took The Car; Crying; My Pretty Girl; Deep Blue Sea.
CD 18 (Back to the Roots Disc 1, 1970)
Prisons on the Road; My Children; Accidental Suicide; Groupie Girl; Blue Fox; Home Again; Television Eye; Marriage Madness; Looking at Tomorrow; Dream with Me; Full Speed Ahead; Mr Censor Man; Force of Nature; Boogie Albert.
CD 19 (Back to the Roots Disc 2, 1970)
Goodbye December; Unanswered Questions; Devil's Tricks; Travelling; Accidental Suicide (Bonus, Remix); Force of Nature (Bonus, Remix); Boogie Albert (Bonus, Remix); Television Eye (Bonus, Remix); Prisons on the Road (Bonus, Remix): Home Again (Bonus, Remix); Mr Censor Man (Bonus, Remix); Looking at Tomorrow (Bonus, Remix).
CD 20 (Thru the Years, 1971)
Crocodile Walk; My Baby Is Sweeter; Crawling Up a Hill; Mama, Talk to Your Daughter; Alabama Blues; Out of Reach; Greeny; Curly; Missing You; Please Don't Tell; Your Funeral and My Trial; Suspicions - Part 1; Knockers Step Forward; Hide and Seek.
CD 21 (Memories, 1971)
Memories; Wish I Knew a Woman; The City; Home in a Tree; Separate Ways; The Fighting Line; Grandad; Back from Korea; Nobody Cares; Play The Harp.
CD 22 (Jazz Blues Fusion, 1972)
Country Road; Mess Around; Good Times Boogie; Change Your Ways; Dry Throat; Exercise in C; Got to Be This Way.
CD 23 (Moving On, 1972)
Worried Mind; Keep Our Country Green; Christmas ’71; Things Go Wrong; Do It; Moving On; Red Sky; Reasons; High Pressure Living.
CD 24 (Ten Years Are Gone Disc 1, 1973)
Ten Years Are Gone; Driving Till the Break of Day; Drifting; Better Pass You By; California Campground; Undecided; Good Looking Stranger; I Sell Care; Don't Hang Me Up.
CD 25 (Ten Years Are Gone Disc 2, 1973)
Introduction; Sitting Here Thinking; Harmonica Free Form; Burning Sun; Dark of The Night.
CD 26 (The Latest Edition, 1974)
Gasoline Blues; Perfect Peace; Going to Take My Time; Deep Down Feelings; Troubled Times; The Pusher Man; One of the Few; Love Song; Little Kitten; a Crazy Game.
CD 27 (BBC Recordings 1964-1968 Disc 1)
Crawling Up a Hill (Saturday Club, 1965/04/26); Heartache (Saturday Club, 1965/04/26); Crocodile Walk (Saturday Club, 1965/04/26); Bye Bye Bird (Saturday Club, 1965/04/26); I'm Your Witchdoctor (Saturday Club, 1965/10/25); Cheatin' Woman (Saturday Club, 1965/10/25); Big Town Playboy (Saturday Club, 1965/10/25); Parchman Farm (Saturday Club, 1965/10/25); Nowhere to Turn (Saturday Club, 1965/10/25); Little Girl (Jazz Beat, 1966/02/09); Hideaway (Jazz Beat, 1966/02/09); Tears in My Eyes (Jazz Beat, 1966/02/09); Parchman Farm (Jazz Beat, 1966/02/09); Burning My Fingers (Saturday Club, 1966/03/14); All Your Love (Saturday Club, 1966/03/14); Stepping Out (Saturday Club, 1966/03/14); on Top of The World (Saturday Club, 1966/03/14); Key to Love (Saturday Club, 1966/03/14); Leaping Christine (Saturday Club, 1967/01/23); Sitting in the Rain (Saturday Club, 1967/01/23); Curly (Saturday Club, 1967/01/23); Ridin' on the L and N (Saturday Club, 1967/01/23); Dust My Blues (Saturday Club, 1967/01/23).
CD 28 (BBC Recordings 1964-1968 Disc 2)
No More Tears (Rhythm & Blues, 1967/02/03); Curly (Rhythm & Blues, 1967/02/03); The Last Time (Top Gear, 1967/10/30); Suspicions (Top Gear, 1967/10/30); Worried Love (Top Gear, 1967/10/30); Supermarket Day (Top Gear, 1967/10/30); Snowy Wood (Top Gear, 1967/10/30); Jenny (Top Gear, 1967/10/30); Sweet Sixteen (Blues in Britain, 1968/02/04); Interview with Alexis Korner (Blues in Britain, 1968/02/04); Another Man's Land (Blues in Britain, 1968/02/04); Picture on The Wall (Top Gear, 1968/03/26); Knockers Step Forward (Top Gear, 1968/03/26); The Last Time (Top Gear, 1968/03/26); Rock Me Baby (Top Gear, 1968/03/26); Oh, Pretty Woman (Top Gear, 1968/03/26); Long Gone Midnight (Radio One Club, 1968/11/12); It Hurts Me to Leave (Radio One Club, 1968/11/12).
CD 29 (Bromley Technical College, 1967)
New Start; Tears in My Eyes; Bye Bye Bird; Mama, Talk to Your Daughter; Double Trouble; Your Funeral and My Trial; Stand Back Baby; Some Day After Awhile (You'll Be Sorry); Looking Back.
CD 30 (Live, 1967)
Chicago Line (unedited); Your Funeral and My Trial; Four Million Knobs; Mama, Talk to Your Daughter; Intro/Chicago Line; Hi Heel Sneakers; San-Ho-Zay; Curly; Mama, Talk to Your Daughter; Telephone Blues; Brand New Start; Your Funeral and My Trial; Bad Boy; The Stumble.
CD 31 (37th National Jazz & Blues Festival, 1967)
Driving Sideways; I Can't Quit You Baby; Sonny Boy Blow; Stand Back Baby; Oh, Pretty Woman; It's My Own Fault; Ridin' on the L and N).
CD 32 (Gothenburg, 1968)
Oh Baby; Baby You're Wrong; Worried About You; Somebody's Acting Like a Child; Ooh Wee Baby (Don't Know What to Do); It Hurts Me to Leave; Hey Little Girl (Walking Down The Street).
CD 33 (Berlin, 1969)
Intro; Variation on Somebody's Acting Like a Child; Baby Child; Checkin' Up on My Baby; When I Lost My Baby Child; 2401; Treat Me This Way; Goin' Down The Road; Ready to Ride; Help Me Baby; When I See My Baby.
CD 34 (Bremen, 1969)
Got a Pretty Baby; Checkin' Up on My Baby; Parchman Farm; The Time Has Come; 2401.
CD 35 (Fillmore West, 1970)
Everybody Wants to Know; Band Intros; What’s The Matter with You; Travelling Man; I’ve Got to Be with You Tonight; Honey Hush.
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...
by Scott Gudell
If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity ...
by Schaen Fox
John Clayton is as interesting to talk to as he is an artist of great talent and experience. The former has allowed him to interact with numerous major figures of his time as well as have long tenures performing with aggregations as diverse as Count Basie's band and the Amsterdam Philharmonic Orchestra. The latter gives him ...
by Serena Antinucci
Durante una chiacchierata con il contrabbassista Paolino Dalla Porta e il batterista Fabrizio Sferra, alla fine della mia permanenza alla cinquantunesima edizione dei Seminari Estivi Internazionali di Siena Jazz, ho capito cosa significhi davvero vivere il jazz. Le lezioni si sono appena concluse e ci ritroviamo nell'atrio della Fortezza Medicea (sede della scuola), prima ...
by Peter J. Hoetjes
One can't help but wonder how large the stage may have been for tenor saxophonist Harold Land had he not tethered himself to the west coast for the majority of his career. In 1954 Land moved from Santa Monica to Los Angeles and quickly earned himself a place in the immensely popular Clifford Brown/Max ...
by Pierre Giroux
In ballet, a pas de deux" is a dance or figure for two performers. In jazz, the concept of two musicians playing together called a duo, has been a fairly familiar concept and undertake by the likes of Stan Getz and Kenny Barron, Chick Corea and Gary Burton as well as pianist Bill Evans and Tony ...
When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...