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8

Article: Live Review

Brilliant Corners 2024

Read "Brilliant Corners 2024" reviewed by Ian Patterson


Brilliant Corners 2024 Black Box/Accidental Theatre jny:Belfast, N. Ireland March 1-9, 2024 At a time when veteran rock acts on their last legs are asking cash-strapped punters to part with hundreds of pounds to stand in a stadium to hear the same hits as the last tour, and the tour ...

9

Article: In Pictures

Ai Confini tra Sardegna e Jazz 2023

Read "Ai Confini tra Sardegna e Jazz 2023" reviewed by Luciano Rossetti


Article: Live Review

Ai Confini tra Sardegna e Jazz - XXXVIII Edizione

Read "Ai Confini tra Sardegna e Jazz - XXXVIII Edizione" reviewed by Paolo Peviani


Ai Confini tra Sardegna e Jazz Sant'Anna Arresi 29.8-2.9.2023 Nei mesi di luglio e agosto, una rassegna itinerante intitolata “Jazz Around" ha portato in varie località del Sulcis Iglesiente e del Sud Sardegna una serie di concerti più o meno affini e/o lambenti il jazz, compiendo un lungo percorso di avvicinamento ...

16

Article: Album Review

Binker & Moses: Feeding The Machine

Read "Feeding The Machine" reviewed by Karl Ackermann


After saxophonist Binker Golding and drummer Moses Boyd released their debut album, Dem Ones (Gearbox Records, 2015), the duo earned the U.K. Jazz FM Awards' “Best Jazz Act" trophy (2016). Unquestionably the soul of their own machine, Binker and Moses have rarely functioned simply as a duo. By their second Gearbox release, Journey To The Mountain ...

13

Article: Album Review

Binker & Moses: Feeding The Machine

Read "Feeding The Machine" reviewed by Chris May


Many of us who are fully paid-up intravenous-feed junkies for Binker and Moses would be happy if the semi-free London duo stuck to their well-honed paradigm of acoustic visceralism until The Time Of The Last Persecution. Tenor saxophonist Binker Golding and drummer Moses Boyd, however, have been restless for a while, wanting to reconfigure their music. ...

8

Article: Album Review

Binker & Moses: Feed Infinite

Read "Feed Infinite" reviewed by Chris May


For a nutritious seasonal feast, forget the Holiday dreck that swamps the jazz world every December and instead get your gnashers round London-based semi-free duo Binker & Moses' single “Feed Infinite." Having released four outstanding albums (two studio and two live) since 2015, tenor saxophonist Binker Golding and drummer Moses Boyd have been looking to tweak ...

2

Article: Radio & Podcasts

Omar Sosa, Southern Energy Ens., Dominique Fils-Aimé, Keith Brown - Mixtape

Read "Omar Sosa, Southern Energy Ens., Dominique Fils-Aimé, Keith Brown - Mixtape" reviewed by Ludovico Granvassu


Two hours are so quick to fill and one has to often leave out several tracks that would deserve attention but, for a reason or another (length, similarities to other selections, need for variety and flow etc.), don't find the right spot in the playlist... To partially remedy this situation we have a “companion mixtape" series ...

30

Article: Interview

Josephine Davies: Way Out East: New Directions In Jazz

Read "Josephine Davies: Way Out East:  New Directions In Jazz" reviewed by Chris May


Compared to many other bands which have emerged on jny: London's paradigm-shifting jazz scene since the mid 2010s, saxophonist and composer Josephine Davies' trio Satori has attracted relatively little noise. There has been high praise from specialist critics but little mainstream media coverage and even less social media chatter. This may be because, unlike many of ...

16

Article: Album Review

Maisha: There Is A Place

Read "There Is A Place" reviewed by Chris May


The London jazz scene, which is in 2018 more active and characterful than it has been since the jazz-dance movement of the 1980s, offers up another jewel with this debut physical-release by spiritual-jazz septet Maisha. The band, led by drummer Jake Long, surfaced in 2016 with the download-only live album Welcome To A New Welcome (Jazz ...

10

Article: Album Review

Sarathy Korwar & The UPAJ Collective: My East Is Your West

Read "My East Is Your West" reviewed by Chris May


Indo-jazz fusion has distinguished ancestry in Britain. The music took shape in the mid to late 1960s, when a string of extraordinary albums, each with one foot in Indian classical music and the other in post-bop jazz, were recorded by guitarist Amancio D'Silva and violinist John Mayer. Both featured empathetic jazz musicians (Joe Harriott, Don Rendell, ...


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