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Art Hirahara: Noble Path
by Dan Bilawsky
Art Hirahara has gained the most notice for his work on saxophonist Fred Ho's adventurous outings, but the pianist's own music, while occasionally outward bound, often has a more immediately accessible sound to it. Featuring eight pieces from Hirahara's pen and four newly arranged classics, Noble Path is a piano trio record that's both commonplace and ...
Charlie Hunter: Burlington, Vermont, April 24, 2011
by Doug Collette
Charlie Hunter with Erik KalbClub MetronomeBurlington, VTApril 24, 2011 The last time guitarist nonpareil Charlie Hunter came to the greater Burlington area, drummer Erik Kalb also accompanied him--so this recent show was one of the few instances of the idiosyncratic guitarist repeating himself in his last ten years of appearances ...
Mark Rapp's Melting Pot: Good Eats
by Dan Bilawsky
Legendary saxophonist Lou Donaldson doesn't subscribe to a one-size-fits-all approach in his own music making. His oeuvre, which spans more than half a century, touches on bop, hard bop, soul-jazz, and funk, with each setting allowing for a different aspect of his musical personality to shine. In crafting a tribute to Donaldson, trumpeter Mark Rapp honors ...
Terell Stafford: This Side of Strayhorn
by Dan McClenaghan
Some music just stands out from the crowd, and certainly Billy Strayhorn's tunes do exactly that. What would the great composer/bandleader Duke Ellington have been without his collaborator? He still certainly would have been considered one of the America's greatest artists, but it's hard to imagine an Ellington “greatest hits" offering--if one could be achieved, considering ...
Audrey Silver: Dream Awhile
by Wilbert Sostre
to tell, by the pure joy of Audrey Silver's voice on Dream Awhile, that this 2009 collection is the singer's favorite jazz standards. Silver amazing, glimmering tone shines all throughout, especially on the up-tempo, swinging tracks “I Will Wait For You," “Exactly Like You" and Irving Berlin's “The Song Is Ended." She even adds some Ella ...
Ken Peplowski: In Search Of ...
by Dan McClenaghan
The splenetic and hard-nosed clarinetist/bandleader Benny Goodman admired tenor saxophonist Ken Peplowski enough to hire the younger musician on for his last performing band, during the mid-1980s. But the Cleveland, Ohio-born and bred Peplowski's main ax was, in fact, the clarinet. He spent a good part of his early career playing in Polish polka bands, and ...
Stan Kenton: Artistry in Rhythm - Portrait Of A Jazz Legend
by Jack Bowers
Stan KentonArtistry In Rhythm: Portrait Of A Jazz LegendJazzed Media2011 “I thought that [Stan] was an echo of life itself: that life is precious, life is exquisite, and life is magnificent. He lived it, and his legacy points to some of those values. Whether we are able ...
Lauren Sevian: Big Voice on the Big Horn
by R.J. DeLuke
Swaying slightly, with eyes closed, Lauren Sevian pours a lot of heart and grit into the big, baritone saxophone--the largest of the most commonly played saxophones and an axe that looks even more considerable when seen against her small frame. She comes out with an imposing sound and welcoming style, put forth through a striking conception. ...
Tommaso Starace Quartet: Blood & Champagne
by Bruce Lindsay
Somewhere in a parallel universe far, far away Tommaso Starace is fêted as one of the finest saxophonists in contemporary jazz. It's the only way to explain why Starace remains so underrated on this little world. Blood & Champagne, his fourth album, should bring Planet Earth into line. Starace has a distinctive, hard-edged, tone and a ...
Abdullah Ibrahim: Perpetual Change
by Ian Patterson
For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it ...
