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5

Article: Multiple Reviews

Ellingtonian Intimacy: Dukish Duos

Read "Ellingtonian Intimacy: Dukish Duos" reviewed by Dan Bilawsky


Duke Ellington elevated the art of big band writing to great heights, but his music was never relegated to the large ensemble corner of the room. While it's true that the large majority of his recordings showcase the ever-evolving, yet incredibly consistent “Orchestra" he fronted, he wasn't averse to presenting his music in small group settings; ...

2

Article: Live Review

Terell Stafford Quintet: Tempe, AZ, May 10, 2013

Read "Terell Stafford Quintet: Tempe, AZ, May 10, 2013" reviewed by Patricia Myers


Terell Stafford QuintetTempe Center for the ArtsTempe, AZMay 10, 2013Trumpeter Terell Stafford and his East Coast quintet delivered dynamic ensemble work and memorable solos in a concert on the theme, This Side of Strayhorn. A third of the evening's repertoire came from the leader's 2011 MAXJAZZ album of the same name, ...

4

Article: Take Five With...

Take Five With Roger Aldridge

Read "Take Five With Roger Aldridge" reviewed by AAJ Staff


Meet Roger Aldridge:I am primarily a jazz composer. A wide range of influences are found in my music including jazz, tango, blues, samba, fusion, new music, and back to American roots music.My exploration of the jazz family tree does not stop at New Orleans. I've gone further back to old fiddle styles--especially, ...

14

Article: Big Band Report

Pointing Fingers... And Naming Names

Read "Pointing Fingers... And Naming Names" reviewed by Jack Bowers


As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...

5

Article: Album Review

Charles Lloyd / Jason Moran: Hagar's Song

Read "Hagar's Song" reviewed by Enrique Turpin


No habrá que pasar por alto que la grabación de Hagar's Song no está producida por Manfred Eicher, sino por el propio Charles Lloyd junto con su mujer y mánager Dorothy Darr. El asunto debió de surgir de un modo natural, mientras el matrimonio observaba tal vez una de las fantásticas puestas de sol que se ...

5

Article: Extended Analysis

Tommy Flanagan / Jaki Byard: The Magic Of 2

Read "Tommy Flanagan / Jaki Byard: The Magic Of 2" reviewed by Dan Bilawsky


San Francisco's famed Keystone Korner shuttered its doors in 1983, but it's getting more press today than plenty of clubs that are still serving up jazz. In the past two years alone, a previously unreleased live recording of trumpeter Freddie Hubbard--Pinnacle (Resonance, 2011)--launched Resonance Records' Keystone Korner Live Discoveries series, photographer Kathy Sloane released Keystone Korner: ...

5

Article: Album Review

Tommy Flanagan / Jaki Byard: The Magic of 2

Read "The Magic of 2" reviewed by Dan McClenaghan


One of San Francisco's most famous jazz venues, Keystone Korner, closed in 1983. It was a favorite venue of the top jazz players of the day, and several landmark live albums by pianists Bill Evans and McCoy Tyner, and saxophonists Rahsaan Roland Kirk and Stan Getz, resulted from shows taped inside its hallowed hall.The ...

7

Article: Album Review

Charles Lloyd / Jason Moran: Hagar's Song

Read "Hagar's Song" reviewed by Ian Patterson


Saxophonist/composer Charles Lloyd's 16 albums for ECM since the late 1980s represent a body of work as important as the influential recordings he made for Columbia and Atlantic in the 1960s. Lloyd's recordings with his latest quartet, Rabo de Nube (2008), Mirror (2010), Athen's Concert (2011) and, now, Hagar's Song, stand together as a special chapter ...

5

Article: Extended Analysis

Tommy Flanagan / Jaki Byard: The Magic of 2

Read "Tommy Flanagan / Jaki Byard: The Magic of  2" reviewed by C. Michael Bailey


The story of this previously unreleased performance by pianists Tommy Flanagan and Jaki Byard at San Francisco's famous Keystone Korner begins with its unusual distributing label, Resonance Records. The original brainchild of studio owner George Kalbin, the label exists as part of the larger endeavor, the non-profit Rising Jazz Stars Foundation, dedicated to the discovery and ...

10

Article: Big Band Report

"Lone Wolf" Finds Plenty to Chew On

Read ""Lone Wolf" Finds Plenty to Chew On" reviewed by Jack Bowers


With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...


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