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Sylwester Ostrowski: Music As A Celebration Of Life
by Emmanuel Di Tommaso
Polish saxophonist Sylwester Ostrowski is not only a brilliant musician and producer, but an equally successful cultural promoter. In particular, he is the founder and organizer of the Szczecin Jazz Festival, a celebrated festival he organizes in his native city. As soon as he hit the road after the hiatus forced by the pandemic, we had ...
Fabia Mantwill: Em.Perience
by Angelo Leonardi
«Non mi interessa in quale stile o genere possa essere classificata questa musica—dice Fabia Mantwill—che sia jazz, classica, folk, canzone d'autore, soul. Penso che i confini stiano diventando sempre più sfocati». Il debutto discografico della giovane bandleader, sassofonista e cantante tedesca contiene elementi di tutti quei generi musicali e non ha alcun senso cercare etichette.
Strata-East At 50! June 16th With Narrator Danny Glover, Charles Tolliver, Billy Harper, George Cables, Buster Williams, Lenny White & Special Guests!
Strata-East Records celebrate 50 years of amazing Jazz on June 16th at 7:30pm EDT. Price: $20. Day of show $25. The performance will be available on-demand for 48 hours starting June 17th at 12:00 AM EDT. Strata-East @ 50 featuring Charles Tolliver, Billy Harper, George Cables, Buster Williams, Lenny White and special guest Danny Glover! Strata-East ...
A Different Drummer, Part 1: Mark Lomax II and Mauricio Takara
by Karl Ackermann
The drum is an instrument of power and presence. It is the heartbeat of music but with uncertain origins. In Africa, China, and Turkey, archeologists have found evidence to suggest that any of those regions may have been the forebearers of the beat, of the definitive expression of freedom. Data concludes that instrumental music is at ...
Linda Sikhakhane: An Open Dialogue
by Dan Bilawsky
When tenor saxophonist Linda Sikhakhane released Two Sides, One Mirror (Skay Music, 2017), it was a statement of arrival, marking his ascendancy within the jazz ranks in his native South Africa, and departure, signaling a move to the United States that would result in studies with tenor saxophonist Billy Harper, trumpeter Charles Tolliver, bassist Reggie Workman ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Jazz from the Black Saint Label (1975 - 1989)
by Russell Perry
Ironically, the record label that most consistently offered an outlet for the American jazz avant-garde in the 1980s was the Italian Black Saint / Soul Note imprint. On All About Jazz, Jeff Stockton wrote, ..."from 1984 to 1989 Black Saint won the Down Beat critics poll for “Best Label" and “Best Producer" and established itself as ...
Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums
by Chris May
Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Results for pages tagged "billy harper"...
Billy Harper
Born:
In his early recordings and performances with leaders such as Art Blakey, Lee Morgan, Max Roach, Thad Jones/Mel Lewis, Randy Weston and Gil Evans, during the 60s and 70s, Billy Harper already had a massive sound on the tenor saxophone, combining John Coltrane’s spiraling intensity with a bluesy brawn that pointed back to his Texas origins.
Harper’s authority has only grown with age: a half-century on, he stands as one of the most commanding horn men on the planet, a pillar of stirring post-bop jazz whose robust back catalog seems long overdue for rediscovery.
