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John Scofield: One For Swallow
by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Uberjamming with John Scofield
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in March 2002. Uberjam." Literally: over all jam," translates to 'groove above all' on this true band effort, Scofield's latest recorded outing. You'll likely see this title described as anything from groove...techno...ambient...world...trance... to acid...and back again, but like MMW, it's unique in ...
Gergo Borlai: The Missing Song
by Jim Worsley
The Missing Song has been heralded as a tribute to Gergo Borlai's nine most influential drummers still alive and performing today. This is much more than just listing them and perhaps covering one of their songs. Borlai composed eight of the nine new songs on this album. He plays them all in the manner, or mindset, ...
Christy Doran's Sound Fountain: Lift The Bar
by Ian Patterson
With four records in as many years Christy Doran's Sound Fountain seems in 2020 to have eclipsed New Bag as the guitarist's going concern. However, just because New Bag hasn't recorded since Elsewhere (Double Moon, 2015) doesn't mean that the band, founded in 1997, won't still make a comeback. After all, who could have foreseen the ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Horizons Jazz Orchestra: Plays the Music of Lee Harris: The Brite Side
by Edward Blanco
The south Florida-based Horizons Jazz Orchestra (HJO), present their debut album, The Brite Side, performing five original Lee Harris compositions and also five standards sporting fresh new Harris arrangements, for a compelling package of big band music that is a pleasure to hear. Founded in 2016 by Stan Kenton alumnus Dennis Noday, and former baritone saxophonist ...
Avi Adrian Trio Honors Adar Broshi With 'Songs From A Dream.' Available Now.
Virtuoso pianist Avi Adrian has released a new trio album with Gilad Abro (bass) and Israel Nahum (dums) celebrating the music of the late Adar Broshi who died of cancer last April at the age of 19 after two and a half years of fighting the disease. The music on this album was written during this ...
Jimmy Haslip: Amperes Beyond the BASSics, Part 2
by Jim Worsley
In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...
Results for pages tagged "Billy Cobham"...
Billy Cobham
Born:
The legendary Billy Cobham, with his matchless, dazzling, ambidextrous skills as a drummer, has applied the same insistent fervor to his long list of monumental achievements. He’s an accomplished composer and record producer. It is a rarely known fact that he was at the forefront of the electronic music industry and it’s development through Jazz. He was one of the first percussionists, along with Max Roach and Tony Williams to utilize the Electronic Drum Controller made in 1968 by the Meazzi Drum Company in Milano, Italy while on concert tour with Horace Silver in Europe. He is one of the few Percussionists, specializing in the Jazz drum set to lead his own band





