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John Scofield: Quiet
by John Kelman
John Scofield Quiet Verve Records 1996 Today's Rediscovery steps away from ECM for Quiet, an anomaly in John Scofield's career for his exclusive use of nylon-string guitar. Some gorgeous horn orchestrations, a crack trio with Steve Swallow and Bill Stewart, and a couple of guest appearances by Wayne Shorter make this ...
Dan Bilawsky's Best Releases of 2014
by Dan Bilawsky
How does an album end up on this list? It really comes down to two things: strength on impact and staying power. Some records hit hard from the start, ultimately losing power with play after play. Other records come on gently, growing on the ear and the mind over time. But it's the truly rare one ...
Asian Jazz All-Stars Power Quartet at Ronnie Scott's
by Ian Patterson
Asian Jazz All-Stars Power Quartet Ronnie Scott's EFG London Jazz festival November 20, 2014 One of the most pleasing aspects of the EFG London Jazz Festival is its reach into the many jazz clubs dotted around the capital. Whilst the concert halls host the big names and draw the tourists ...
The Poetry of Places: Paula Shocron and Bjørn Solli
by Jakob Baekgaard
There is something about places. A particular place can create a special mood. When it comes to music, a place can create a unique frame that adds inspiration and ambience. Just think of the music recorded at the Village Vanguard. The name itself is enough to send shivers down the spine. However, unique ...
Larry Goldings, THE TRIO: Larry Goldings-Peter Bernstein-Bill Stewart: Ramshackle Serenade
by Chris M. Slawecki
Like just about every historically great organ trio, these three expert musicians are strongly rooted in funk and jazz: Organ player Larry Goldings and drummer Bill Stewart both spent time smoking riffs for saxophonist Maceo Parker and guitarist {{John Scofield (not at the same time), while no less an authority than Jim Hall once called Peter ...
Different Shapes & Sounds: Solo, Trio, Small & Large Ensembles
by Chris M. Slawecki
Afro Latin Vintage Orchestra Pulsion Ubiquity 2014 A musician friend whose opinion I greatly respect shared with me that he enjoys listening to Pulsion, the fourth release by the Afro Latin Vintage Orchestra (ALVO), in two layers: The frothy jazz-influenced horn, brass and string arrangements on top and, like a ...
Outbeat Jazz Festival 2014
by Victor L. Schermer
Outbeat Jazz Festival Philadelphia, PA September 18-21, 2014 The Outbeat Jazz Festival, touted as America's First Queer Jazz Festival," where the Q-word" has become an in" word, proved to be an innovative event that brought the public's attention to the important role of gay (LGBT) jazz musicians and composers. A series ...
American Jazz Festiv’Halles at Sunside-Sunset
by Patricia Myers
American Jazz Festiv'Halles at Sunside-Sunset Sunside-Sunset Jazz Club Paris, France July-August 2014 The 23rd annual American Jazz Festiv'Halles at Sunside-Sunset in Paris had another long and strong lineup of concerts during two summer months of 2014. Sunside opened in 1983 on the Right Bank's narrow pedestrian street, rue des Lombards, expanding ...
Take Five With Mike Brannon
by AAJ Staff
Meet Mike Brannon: Having been born in Atlanta and then lived in North Carolina growing up, those Southern roots were likely to blame when I started playing blues/rock guitar. But I soon discovered Wes Montgomery, Hank Garland, Joe Pass, Tal Farlow and finally Pat Martino. After attending Jackie King's Guitar Conservatory of the Southwest, where ...
Mark Guiliana: Emulating The Source
by Ben Scholz
Over the past ten years, electronic music and jazz have developed a curious relationship. As programmers and DJs sought to remove the human element from their beats and loops, acoustic musicians sought to apply the tight, complex patterns of house and trance music to their traditional instruments. Drummer Mark Guiliana is at the forefront of this ...



