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6

Article: Extended Analysis

Fred Hersch and Julian Lage: Free Flying

Read "Fred Hersch and Julian Lage: Free Flying" reviewed by Victor L. Schermer


This album is the latest of several recordings in which pianist Fred Hersch solos or joins forces with some highly intelligent, advanced musicians to provide jazz renditions with a sophisticated, chamber music quality. Others are Hersch's Alone at the Vanguard (Palmetto, 2011); Leaves of Grass (Palmetto, 2005)--an ensemble composition based on Walt Whitman's poems--and two additional ...

13

Article: Interview

Bill Mays: Inventions, Conventions and Dimensions

Read "Bill Mays: Inventions, Conventions and Dimensions" reviewed by Dr. Judith Schlesinger


This title is more than a rhyme: it's an attempt to capture some of the legendary versatility of pianist Bill Mays. “Inventions" refers to his unprecedented, working jazz trio of piano, trumpet, and cello. “Conventions" is a nod to his invaluable contribution to the annual meeting of the International Society of Bassists (in 2013, he played ...

3

Article: Album Review

Tommy Cecil and Bill Mays: Side by Side: Sondheim Duos

Read "Side by Side: Sondheim Duos" reviewed by Dr. Judith Schlesinger


This is a brilliant collection of nine songs associated with composer Stephen Sondheim and delivered by the estimable pianist Bill Mays and excellent bassist Tommy Cecil. Cecil, who initiated and produced the project, is well-known in Washington, D.C., but his huge talent should bring him much wider attention. As for Mays, there's always the sense of ...

News: Recording

Mays, Cecil and Sondheim

Mays, Cecil and Sondheim

Our greatest living Broadway composer is Stephen Sondheim. All you have to do is sit through A Funny Thing Happened on the Way to the Forum, Sunday in the Park with George or Into the Woods to be smitten by his wordplay and bitten by his melodies. The songs win you over because they are like ...

166

Article: Live Review

Alan Broadbent Trio: New York, NY, September 24, 2011

Read "Alan Broadbent Trio: New York, NY, September 24, 2011" reviewed by Dan Bilawsky


Alan Broadbent TrioKitanoNew York, NYSeptember 24, 2011 Park Avenue's Kitano briefly seemed like Bradley's in its heyday, as piano jazz royalty like Fred Hersch, Bill Mays and Andy Bey converged on a single location to take in the sounds of one of their own. While Alan Broadbent is rightly hailed ...

85

Article: Take Five With...

Take Five With Frank Giasullo

Read "Take Five With Frank Giasullo" reviewed by AAJ Staff


Meet Frank Giasullo: The Frank Giasullo Quartet has created a distinctive sound, enhanced by its strong repertoire of original compositions by Frank Giasullo. Giasullo is a classically trained jazz player but his piano playing and the music he writes comes as much out of his feeling for gospel, folk, and blues ...

177

Article: Album Review

Phil Woods and Bill Mays: Woods & Mays

Read "Woods & Mays" reviewed by Dan Bilawsky


Putting two musicians of this caliber in a room and recording the results is a surefire recipe for success. Pianist Bill Mays and saxophone icon Phil Woods have little to prove at this point in their respective careers and their music isn't about defying expectations. Both men, on the contrary, carry the reputations that they do ...

Album

Mays at the Movies

Label: SteepleChase Records
Released: 2010
Track listing: I've Never Been in Love Before; The Shadow of Your Smile; Pure Imagination; Love Theme from Spartacus; Judy; The Summer Knows; There's a Small Hotel; You Leave Me Breathless; Charade.

259

News: Website

Join the All About Jazz Party on the 2011 Jazz Cruise!

January 30 to February 6... the tradition continues Fewer than 35 premium cabins remain! Reserve your cabin now. Call us toll free (US and Canada) 1-888-852-9987 (Int'l) 1-800-852-9872, mention the All About Jazz group, and ask about our cabin rates. Join us while we celebrate the 10th Anniversary of The Jazz ...

418

Article: Album Review

Ted Rosenthal Trio: Impromptu

Read "Impromptu" reviewed by Dr. Judith Schlesinger


As legend has it, the term “third stream" was invented by Gunther Schuller in 1957, to prevent jazz and classical fans from resenting incursions onto their turf by the other side. This new musical entity would be neither classical nor jazz, and not just a simple merging of the two: it would be more than jazz ...


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