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Article: Album Review

Ramon Moro Quartet: Blue Horizon

Read "Blue Horizon" reviewed by Neri Pollastri


Alla testa di un quartetto di eccellenti artisti, il trombettista torinese Ramon Moro mette a frutto vent'anni di attività trasversale--tra jazz, musica di scena e collaborazioni in ambito punk e rock--e, lasciandosi ispirare da “Folk Song For Rosie," antico e bellissimo brano di Paul Motian registrato nel 1979 con lo storico trio assieme a Joe Lovano ...

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Article: Album Review

Lyle Mays: Eberhard

Read "Eberhard" reviewed by John Kelman


When pianist, keyboardist, synthesist and composer Lyle Mays passed away at the far too young age of 66 following a long battle with a recurring (but, to this day, undisclosed) illness in February 2020, it was a major loss for his fans. It was an especially deep body blow to those who'd followed his decades-long work ...

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Article: BackTracks

Ethnic Embraces

Read "Ethnic Embraces" reviewed by Mike Jacobs


For the fourth installment in the continuing BackTracks series, we take a look at some notable releases that infuse their jazz with stylistic spice indigenous to different regions of the world—namely North Africa, the Iberian peninsula and the Balkans. As BackTracks was on a hiatus of sorts (and because these recordings seemed to emerge in matched ...

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Article: Album Review

The Witherbees: Love Letter

Read "Love Letter" reviewed by Jerome Wilson


The Witherbees are a band from Philadelphia that mix folk, country, rock and jazz together into a stew of dreamy music that flows together easily into a distinctive sound. Instrumental tracks like “Mirage," “Cold Spell" and “Tribute Valley" are the most overtly jazzy ones on their album. On these, Mike Lorenz's guitar and Jacqui ...

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Article: Album Review

Andrew Woolf: Song Unsung

Read "Song Unsung" reviewed by Chris May


Although London-based tenor saxophonist Andrew Woolf has been releasing records since 2012, Song Unsung is the first he has issued under his own name. His debut, which was actually recorded in 2008, was the EP Soma Quartet (Self Produced), made by Woolf, electric guitarist Ryan Williams, double bassist Will Collier and trumpeter Joe Auckland. The disc ...

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Article: Album Review

Unscientific Italians: Play The Music Of Bill Frisell Vol. 1

Read "Play The Music Of Bill Frisell Vol. 1" reviewed by Ian Patterson


Few would argue against Bill Frisell's status as one of the most singular and influential guitarists/composers since around 1980. And yet, the Baltimore-born musician remains something of an enigma: easy to admire but a tad more difficult to pin down. Instantly recognizable from just a handful of notes, Frisell is, at the same time, a musical ...

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Article: Album Review

Julian Lage: Squint

Read "Squint" reviewed by Mario Calvitti


Dopo aver scritturato negli scorsi anni due chitarristi di indubbio valore come Nels Cline e Bill Frisell, la Blue Note mette a segno un nuovo colpo assicurandosi i servigi di un altro virtuoso della sei corde, l'ex enfant prodige Julian Lage (che in realtà era già comparso in un titolo della label al fianco proprio di ...

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Article: Interview

L'autorevole inventiva di Salvatore Maiore

Read "L'autorevole inventiva di Salvatore Maiore" reviewed by Angelo Leonardi


Contrabbassista, violoncellista e compositore tra i più attivi in Italia, Salvatore Maiore ha evidenziato -nelle molte collaborazioni e nei progetti personali-una cifra espressiva particolarmente ricercata, dove il ruolo dei suoi strumenti assume un aspetto propositivo, in una chiara esaltazione delle forme melodiche e timbriche. Di recente ha pubblicato un progetto sulle musiche di Charles Mingus interpretate ...

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Article: Radio & Podcasts

Harold Danko, Count Basie & James Brandon Lewis

Read "Harold Danko, Count Basie & James Brandon Lewis" reviewed by Joe Dimino


From the young and talented \ we begin the 704th Episode of Neon Jazz with a track off James Brandon Lewis's Live at Willisau done some years back, but released in 2020. We also look into some impressive singers & performers releasing new music including Shelly Rudolph and Emi Makabe. We also include some big band ...

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Article: Multiple Reviews

Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records

Read "Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records" reviewed by Friedrich Kunzmann


A sound poet of sorts, Swiss tenor saxophonist Christoph Irniger has gained quite a reputation for his lyrical tone and creative penmanship, more often than not responsible for the majority of the memorable repertoire he records and performs. The poetic nature of his music is owed not only to the artists that have influenced him over ...


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