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Michael Musillami and Rich Syracuse: Dig
by Troy Dostert
Guitarist Michael Musillami and bassist Rich Syracuse continue their engagement with the titans of the jazz world with Dig, their homage to Bill Evans. Like the discs that preceded it, Of The Night (Playscape, 2016), dedicated to Wayne Shorter and Bird Calls (Playscape, 2017), their salute to Charles Mingus, the duo approach this repertoire with both ...
Alex Delcourt: To My Brothers
by Victor L. Schermer
This album by bassist Alex Delcourt is a treasure of a recording, a contemporary mirror of the hard bop movement of the past. It's as if that music awakened from its sleep years later and is as fresh today as it was then. Except for seasoned valve trombonist and trumpeter John Swana, the personnel consists of ...
Alexi Tuomarila Trio: Sphere
by Roger Farbey
Sphere is Alexi Tuomarila's follow-up to Kingdom (Edition, 2017) and Seven Hills (Edition, 2017). But the Finnish pianist has also collaborated with many of jazz's leading lights including Kenny Wheeler, Joey Baron, Jim Black, Bill Evans and Peter Erskine. Tuomarila also appeared on Dark Eyes by the Tomasz Stanko Quintet (ECM, 2010). Sphere 's ...
Marcus Miller: America's AmBASSadoor
by Jim Worsley
Marcus Miller is most often described as a jazz, funk, soul, fusion, and R&B bassist. As much as that is accurate, it is a description that falls well short of the mark. Miller is a high-end musical sponge who manages to incorporate today's cultures and rhythms into his compositions, layered within the framework of sound he ...
Keith Jarrett: After the Fall
by Mike Jurkovic
If, after thirty five years and dozens of standard bearing recordings you're not spoiled rotten, or decisively worse, indifferent to the mythic elegance and boundless creativity of the Standards Trio, then welcome gratefully the latest two-disc chronicle, After The Fall. Recorded on November 14, 1998 at the New Jersey Performing Arts Center, this was Keith Jarrett's ...
Sonny Clark Trio: The 1960 Sessions with George Duvivier and Max Roach
by Jakob Baekgaard
Jazz history tends to favor the great musical innovators whose stylistic leaps have formed the ever-changing vocabulary of jazz: the improvisational wonder of Louis Armstrong, the free flight of Charlie Parker, the chameleon-like transformations of Miles Davis, and the singular piano world of Thelonious Monk. For long a time, Monk, along with Bud Powell, has been ...
Jon Davis: Happy Juice
by Dan Bilawsky
Everyone has their own version of happy juice. For some, it's the drink; for others, it's literature; for many, it's film; and for a certain breed, it's jazz, that most potent and unpredictable of aural intoxicants. It's the people that fall into that last group who are most likely to quickly uncork this one and take ...
Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense
by Victor L. Schermer
Part 1 | | Part 5 | Part 6[This is the first of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues," in which we will explore the current state of jazz around the world. Jazz has expanded in many directions. The business, educational, geographical, ...
Audrey Silver: Very Early
by Dan Bilawsky
There's immediate comfort in encountering Audrey Silver's music for the first time. Her voice is an open invitation, an instrument of confession and creation that immediately transports you to someplace else. That's evident from her first utterances through her last words on Very Early. In putting together this program, Silver thought long and ...
John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987
by John Kelman
It's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words “fusion," “jazz-rock" and/or ...
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