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Bebop’s Twin: Rhythm and Blues (1939 - 1951)
by Russell Perry
Some of the same forces that launched Bebop as a break from Big Band Swing, also fueled the birth of Rhythm and Blues—the rise of independent labels in the wake of the recording ban of 1942— 1944, the economic infeasibility of touring with 16-member orchestras, the decline of dance halls in the aftermath of the war, ...
Howard Riley: Live In The USA
by John Sharpe
This archival issue should further bolster British pianist Howard Riley's place among the top rank. Riley first came to prominence with the advent of his pioneering trio with bassist Barry Guy and various drummers including Tony Oxley, which extended yet further the egalitarian template first established by Bill Evans and Paul Bley. However Live In the ...
Piano in Solitude
by Geno Thackara
There are people who play the piano, and then there are some who create a whole other state of consciousness with it. While these three may not be among the more common household names in the jazz world, here they each offer a master class in the craft to make you wonder just why the hell ...
Nenette Evans: My Life With Bill
by Bruce Guthrie
Originally from Southern California, Nenette Evans met and married Bill Evans in 1973. Ms. Evans now handles the legendary pianist and composer's estate along with attorney Steven Lowy and others. She is also involved with the Bill Evans Piano Academy in Paris, France. I met Nenette through her friend Carol Baker and our work with the ...
Greg Reitan: West 60th
by Dan McClenaghan
Pianist Greg Reitan is based in Los Angeles, a good place to take advantage of the work he has found in film and television. He has also served up four previous top-shelf jazz trio recordings, beginning with his terrific debut, Some Other Time (2009), followed up by Antibes (2010), Daybreak (2011) and Post No Bills, all ...
Groundhog Day
by H William Stine
Explain to me again why we created a holiday to honor an ugly, destructive rodent and a misguided superstition while continuing to discredit the value of scientific facts in our lives? I based my Groundhog Day celebration on the classic movie and this rule: if you hear a song once this week, you're going to hear ...
Ron Carter Quartet At Regattabar
by Peter Jurew
Ron Carter Quartet Regattabar Cambridge, MA February 22, 2019 You are the “World's Greatest Jazz Bassist," as a sign used to say at The Knickerbocker Saloon in New York City, where you and Cedar Walton held forth for many years. You have been at the top of your ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Charlie Dennard: Deep Blue
by Nicholas F. Mondello
Deep Blue by New Orleans pianist Charlie Dennard and his crew is a jambalaya in which Dennard displays fine keyboard skills and a flair for writing melodic tunes. The kick-off, “St. Charles Strut," is all 'Nawlins frontline contemporized. It is a Dennard original which offers an ear-worm melody that's similar to the first ...
3x3: Piano Trios, vol. IV
by Geno Thackara
Yonathan Avishai Joys and Solitudes ECM Records 2019 Though Yonathan Avishai isn't exactly in solitude on his debut as leader, half the recording is well suited to quiet times away from the world, or perhaps being enjoyed with minimal company—the trio at hand is comfortable with silence as any ECM ensemble ...
