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The Rebel Festival
by Karl Ackermann
On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...
Alessandro Giachero: consapevolezza e ricerca
by Neri Pollastri
Pianista, compositore, improvvisatore, didatta, Alessandro Giachero è tra i musicisti più interessanti e originali del nostro Paese. Dopo aver assistito a un suo splendido concerto per piano solo e in occasione dell'uscita del primo disco della sua più recente formazione, l'ensemble Sonoria, lo abbiamo intervistato per conoscere meglio il suo percorso artistico e il suo modo ...
Marvin Stamm/Mike Holober: Live @ Maureen's Jazz Cellar
by Pierre Giroux
It is hard to overstate the value of long standing working relationships between musicians. When this musical symbiosis is at its best, the result is a genuine understanding and an interpretation of the music in a comprehensive way. Such is the case between flugelhornist Marvin Stamm and pianist Mike Holober on Live @ Maureen's Jazz Cellar. ...
My Early Years With Bill Evans, Part 3
by Chuck Israels
Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...
Left of Center: Crossing the Water
by Nicholas F. Mondello
Whether the title of this album, the performing group's name, or its leader's surname have additional meaning is positively irrelevant because this performance is a winner. It is a bassist-led trio album offering engaging sonic textures which spin and entice throughout. The title cut sends things into up-tempo action with Justin Kauflin's keyboard ...
Jerry Granelli: Updating Music of Past Heroes
by R.J. DeLuke
"I've earned the privilege of not playing anything I don't want to play," says drummer Jerry Granelli, whose past is replete with the names of many greats in jazz for whom he supplied rhythmic support—sometimes force—over several decades. “That used to be a fear," he adds, “You figured if you turned something down, the ...
Roberto Olzer: Suoni per immaginare Fellini
by Paolo Marra
"Fellini 100" è il nuovo progetto del pianista e compositore Roberto Olzer, uno spettacolo multimediale di musica e arte visiva allestito nell'ambito del Festival Piemontese Tones and Stones (in rassegna dal 19 al 26 Luglio) per omaggiare il grande Maestro del Cinema, a cent'anni dalla sua nascita. Ad accompagnare il pianista sul palco, nella giornata inaugurale, ...
My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Bill Evans: Munch Museum, 1966
I'm convinced that if we're going to get through the coronavirus pandemic together, it will be because of Bill Evans. The hope and humanity in his playing instills a sense that one day this will be over and we will resume our lives as they were meant to be lived, enjoying each other up close, food, ...
Catching up with Herbie Hancock
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in September 1998. Seldom has a musician been so closely associated with two separate musical genres as has pianist and composer Herbie Hancock. Originally introduced to the world as part of Miles Davis' mid-60's group, which also included Wayne Shorter, Tony Williams ...
