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219

News: Interview

Bill Anschell: The Hardest-Working Piano Man in Seattle

Bill Anschell: The Hardest-Working Piano Man in Seattle

Simple or elaborate, this is what Anschell does best. In any given year, his arrangements or compositions might be on any one of a dozen albums, most not his own. His music even made its way to the television shows “The West Wing” and “The Wire.” But for his latest album, “We Couldn’t Agree More,” released ...

228

News: Performance / Tour

Thomas Marriott CD Release Party - May 12 at the Triple Door

Trumpeter Thomas Marriott hits the road this weekend performing for two nights at The Cellar in Vancouver, BC, before returning home for his CD Release Party next Tuesday, May 12, at The Triple Door. TUESDAY, MAY 12 - THE TRIPLE DOOR 216 Union Street Seattle, WA 98101 Tickets: 206-838-4333 featuring: ...

363

Article: Album Review

Thomas Marriott: Flexicon

Read "Flexicon" reviewed by Dan McClenaghan


If Seattle, Washington-based Origin Records can be said to have a signature sound, trumpeter Thomas Marriott's Flexicon could be picked as an example. The music is mainstream, with two horns and a rhythm section, polished up and modernized with a nice edge, some luminous Fender Rhodes, a solid-yet-adventurous bassist, and a top notch, push-the-tradition-forward drummer. And ...

129

News: Performance / Tour

Karen Shivers at Jazz Alley

Karen Shivers Quartet March 2, 2009, 7:30pm JAZZ ALLEY jazzalley.com Reservations: 206-441-9729 The Pacific Jazz Institute at Dimitriou’s Jazz Alley presents vocalist Karen Shivers and her band for one night only. Band members include Bill Anschell (piano), Doug Miller (bass), and Greg Williamson (drums). Doors open at 6:00pm and show ...

Album

More to the Ear Than Meets the Eye

Label: Origin Records
Released: 2006
Track listing: Night and Day; Bent; Crazy he Calls Me; Emily; As the Crow Flies; Humble Origins; Alone Together; I'll Take Romance; Morning Fog; Faster Than the Speed of Mildew; At the End of the Day.

356

Article: Album Review

Bill Anschell: More to the Ear Than Meets the Eye

Read "More to the Ear Than Meets the Eye" reviewed by Dan McClenaghan


Pianist Bill Anschell has carved out a fairly high profile for himself as an accompanist and arranger, most recently on vocalist Jeff Baker's vibrant Monologue (OA2 Records, 2005), and previously with his stint touring and recording as musical director for Nnenna Freelon from 1992-96. With More to the Ear Than Meets the Eye, Anschell steps out ...

461

Article: Bill Anschell's Notes from the Lobby

Notes from the Lobby

Read "Notes from the Lobby" reviewed by Bill Anschell


The light is unsettling; too bright, by far, for the dark business at hand. My fingers work tirelessly. Visible beneath them, a workspace painful to the glance; brilliant, aching white. Should I look away, bury my gaze instead in the teeming masses before me? They transact ceaselessly, without apology. Harshly lit, the greedy faces are easily ...

416

Article: Bill Anschell's Notes from the Lobby

Jazz Math

Read "Jazz Math" reviewed by Bill Anschell


If x is the number of chord changes in a tune, and y is the tempo at which it is played, then xy = factor by which a guitarist will turn down his amp. # (notes/measure played by a saxophonist on a ballad) is proportional to # (drinks he has consumed). 4 ...

Album

When Cooler Heads Prevail

Label: Summit Records
Released: 2001
Track listing: Sweet and Lovely; Dear Old Stockholm; Undercurrent Event; Little Niles; No Hurry; La Flor de la Canela; If It Isn't One Thing ?; One More Mile; Woody's Turn; Angels Watching Over Me.

166

Article: Album Review

Bill Anschell: When Cooler Heads Prevail

Read "When Cooler Heads Prevail" reviewed by Jim Santella


Splitting his session between originals and familiar gems, pianist Bill Anschell brings his third recording as leader to a wider audience. As Nnenna Freelon's musical director in the '90s, he gained experience with the kind of songs that reach out and touch someone. Anschell's web site contains plenty of biographical information. The pianist's arrangement, here, of ...


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