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171

Article: Album Review

Tierney Sutton: American Road

Read "American Road" reviewed by Dan Bilawsky


While Tierney Sutton's oeuvre is, essentially, a survey of American music in all of its glory, the shades of red, white and blue that pop up on American Road are far more vivid than any that have appeared in her work before. Sutton and her musical soul mates, who've been with her for nearly two decades, ...

194

Article: Extended Analysis

The Tierney Sutton Band: American Road

Read "The Tierney Sutton Band: American Road" reviewed by C. Michael Bailey


The Tierney Sutton BandAmerican RoadBFM Jazz2011 Solidly innovative and a forward-thinker in jazz vocals arena over the past 15 years, Tierney Sutton has constantly looked backwards while forging a future path that has influenced the likes of Laurie Antonioli and Gretchen Parlato, among many other noted contemporary ...

173

Article: Album Review

John Daversa: Junk Wagon:The Big Band Album

Read "Junk Wagon:The Big Band Album" reviewed by Dan Bilawsky


Constant stimulation is the name of the game on Junk Wagon. Trumpeter/composer John Daversa delivers nine pieces that reflect the hustle and bustle of today's world, without resorting to any big band clichés of yore. Each composition, with the exception of the balladic “Most Of All," is a stylistic hybrid, where scattershot elements ...

215

Article: Album Review

Larry Goldings: In My Room

Read "In My Room" reviewed by Dan Bilawsky


Sentimentality gets a raw deal in the eyes of many a jazz fan and journalist. Somewhere along the line, a lot of artists began indulging in overwrought expressions of emotion in an effort to artificially enhance their work with a sense of depth that might not truly exist, but that shouldn't taint the very idea of ...

196

Article: Album Review

Bob Ferrel Quartet: Bon Voyage

Read "Bon Voyage" reviewed by Jack Bowers


Rather like a trampoline, trombonist Bob Ferrel’s Bon Voyage is firm around the perimeter, sags in the middle, then rebounds nicely, giving the listener some unexpected kicks along the way. Among them: recording the last two tracks onto wax cylinders (circa 1890) using a vintage 1905 Thomas Edison phonograph. If you’ve ever wondered how J.J. Johnson, ...


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