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Bert Wilson
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I was born in Evansville, IN in 1939, and at the age of 4, I contracted polio. I've been in a wheelchair ever since. The chair doesn't define me, but it has affected my life (and certainly my access to those basement jazz clubs). I got into jazz while living in a hospital school in Chicago, where one of the other kids turned me on to Charlie Parker at the age of 10. THAT affected my life far more than the polio did! Upon graduating from high school, I moved to L.A. and became a part of the "fringe" jazz scene there (in the early-to-mid '60s). By this time, I could play a bunch of "Bird's" music in 12 keys, but Ornette Coleman and 'Trane had gone off into a more modal free space and that's what all my friends wanted to play
Kresten Osgood: Presence in the Room

by Jakob Baekgaard
It is hard to underestimate the influence of drummer Kresten Osgood on Danish jazz. As a co-founder of the prominent ILK Music label and the man behind several festivals and musical events, he has been a vital part of creating a vibrant modern jazz scene and community that has also welcomed visits from the many jazz ...
Rick Mandyck: The Return From Now

by Paul Rauch
It was a cold Tuesday evening the last week of December. 2016 was mercifully coming to a close, this evening, a final chorus of a long blues blown soulfully, and mournfully into the night. I sat at the bar at Seattle's storied jazz spot, Tula's, in eager anticipation of the evening's performance of a quartet led ...