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1,103

Article: From the Inside Out

Three of a Perfect Pair

Read "Three of a Perfect Pair" reviewed by Chris M. Slawecki


For the past decade or thereabouts, I've tried to organize “From the Inside Out" around one theme, to address in one column the different ways that different musicians perform on the same instrument, or in the same style or genre. But if there's one lesson that life seems intent on teaching, it's that music (like life) ...

275

Article: Album Review

Art Farmer: Brass Shout / The Aztec Suite

Read "Brass Shout / The Aztec Suite" reviewed by Chris M. Slawecki


Brass Shout / The Aztec Suite combines two Art Farmer releases: Brass Shout, arranged by his longtime associate, Benny Golson, and The Aztec Suite, including its famous panoramic title track, arranged by Chico O'Farrill. Combining these two titles, both from 1959, creates an expansive survey of jazz, Latin jazz, and pop played as jazz. ...

868

Article: Interview

Odean Pope: A Singular Voice in the Choir

Read "Odean Pope: A Singular Voice in the Choir" reviewed by Elliott Simon


Grounded in the Baptist spirituals of his youth followed by a musical upbringing in Philadelphia with the likes of John Coltrane and organist Jimmy Smith as mentors, tenor saxophonist Odean Pope is the bridge between hard bop and free. His contributions to jazz are of major historical significance and through his over ...

598

Article: Multiple Reviews

Benny Golson: New Time, New 'Tet & The Best Of

Read "Benny Golson: New Time, New 'Tet & The Best Of" reviewed by George Kanzler


The seductive charm that makes Benny Golson's “Whisper Not" so appealing has not diminished in half a century, as is evident when listening to the two performances found here, one recorded in 1956, the other just last year. The latter, with Al Jarreau singing the Leonard Feather lyrics with surprising sensitivity, comes from Golson's latest version ...

289

News: Radio

The Benny Golson Songbook

The Benny Golson Songbook

Tenor saxophonist Benny Golson has written some of the most beloved and frequently-played standards in the modern jazz canon. “I Remember Clifford," “Along Came Betty," “Whisper Not," and “Killer Joe" are just a few of the memorable compositions that Golson debuted as a young musician that showcase both his hardbop bite and his penchant for melodic ...

141

News: Recording

Benny Golson

Benny Golson

Benny Golson celebrates his 80th birthday today. At the same time, he releases a new CD with a band in the mold of the Jazztet that he and Art Farmer led beginning in 1960. The Jazztet's success put Golson's composing and arranging abilities into the consciousness of listeners who may have been unaware of his history. ...

179

News: Recording

Benny Golson Releases New Album on Concord Jazz

Benny Golson Releases New Album on Concord Jazz

The new album from sax legend and Grammy Lifetime Achievement award winner Benny Golson hits stores this week via Concord Jazz (CD & digital). New Time, New ‘Tet is Golson’s first new studio recording in five years and elaborates the traditional jazztet concept; combining Golson’s new compositions with standard jazz repertoire. The ...

Album

New Time New Tet

Label: Concord Music Group
Released: 2008
Track listing: Grove's Groove; Airegin; Dream to Dream; Whisper Not; Epistrophy; L'Adieu; Love Me in a Special Way; Gypsy Jungle; Verdi's Voice; Uptown Afterburn.

1,099

Article: Profile

Curtis Fuller: Motor City Messenger

Read "Curtis Fuller: Motor City Messenger" reviewed by Russ Musto


The most recorded jazz trombonist of his lifetime, Curtis Fuller's illustrious career spans six decades and includes tenures with many of the greatest names in this music. Born Dec. 15th, 1934 in Detroit, Fuller was orphaned at an early age, but found family in the close-knit jazz community of the musically fertile Motor City. He first ...

968

Article: Profile

Benny Golson: Along Came Benny

Read "Benny Golson: Along Came Benny" reviewed by Greg Thomas


Benny Golson, tenor saxophone stylist and jazz composer of first rank, refuses to rest on his laurels. At almost 80, he's an elder statesman of jazz who could easily cruise and live off the royalties of “I Remember Clifford," “Whisper Not," “Along Came Betty" and others among his 300 compositions. But such a notion is anathema ...


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