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Chris Biesterfeldt: Phineas
by Angelo Leonardi
Un virtuoso come Chris Biesterfeldt non poteva che essere attratto da Phineas Newborn Jr., il pianista che sul finire degli anni cinquanta emerse come l'erede di Art Tatum e Oscar Peterson ma uscì presto di scena per problemi di salute mentale. Nato ad Asheville nel North Carolina ma residente a New York dal ...
Jazz Musician of the Day: Benny Golson
All About Jazz is celebrating Benny Golson's birthday today! Multitalented and internationally famous jazz legend,- a composer, arranger, lyricist, producer- and tenor saxophonist of world note, Benny Golson was born in Philadelphia, PA on January 25, 1929. Raised with an impeccable musical pedigree, Golson has played in the bands of world famous Benny Goodman, Dizzy Gillespie, ...
Benny Golson: Dizzy Gillespie Sextet with Dexter Gordon: Blue 'n' Boogie
by William Ellis
Well--I've been around for a long time, and during the time when I got started there were no such things as albums so there were no covers! This was the time of the 78 recording with three minute at tops for each recording so whatever the person was going to present they had to present it ...
Valery Ponomarev Jazz Big Band: Our Father Who Art Blakey
by Jack Bowers
Who is Russian-born trumpeter Valery Ponomarev's favorite musician? A clue may be found in the title of Ponomarev's first CD as leader of his New York City-based big band: Our Father Who Art Blakey. The first jazz recording he heard while still in Russia, Ponomarev recalls, was Blakey's Jazz Messengers with trumpeter Lee Morgan playing pianist ...
Benny Golson: Germany, 1993
In 1993, tenor saxophonist Benny Golson was in Germany for a reunion of sorts with vibraphonist Milt Jackson and trumpeter Art Farmer. They were teamed with guitarist Ulf Wakenius, bassist Niels-Henning Orsted Pedersen and drummer Jonas Johansen. The last time Benny was with both Jackson and Farmer was on Bags' Opus, a Milt Jackson record date ...
Benny Golson and the Philadelphians - 1958
by Marc Davis
I have hundreds of jazz CDs. I'm a huge fan of bebop, hard bop and all manner of piano playing. Yet I have blind spots in my collection and in my jazz knowledge. The big names are all accounted for. And now that I've been exploring Blue Note's back catalogue--especially the 1950s and '60s--I'm ...
Aaron Diehl: Space Time Continuum
by Maurizio Zerbo
Grazie a musicisti come Aaron Diehl, c'è da ben sperare per le sorti future del jazz. Il trentenne pianista statunitense sembra possedere classe e abilità strumentale da vendere, al servizio di una promettente progettualità. Attraverso le sue composizioni si respira un'aura autenticamente genuina di jazz, sprigionante un invidiabile senso dello swing. Dando spazio a ...
Take Five with Michael Kocour
by AAJ Staff
Meet Michael Kocour: Michael Kocour is a jazz pianist, organist and composer. He also serves as Director of Jazz Studies in the School of Music at Arizona State University. Hailed by the Chicago Tribune as “one of the most sophisticated pianists in jazz," Kocour has performed at venues around the world and has been ...
Lee Morgan, Volume Three - 1957
by Marc Davis
In jazz, as in rock, there's a tendency to overlook composers. Performers get all the nods. Consider Duke Ellington. One of the greatest bandleaders and composers of all time. But Billy Strayhorn? Not as famous--even though he wrote some of Duke's best pieces: “Take the A Train" and “Lush Life" and “Chelsea Bridge."
Philadelphia's Cutting Edge Big Band: Bobby Zankel's Warriors of the Wonderful Sound
by Victor L. Schermer
Anyone familiar with the music business can tell you that it's hard enough to get a big band together for an occasional gig, let alone sustain it over an extended period of time. The time and effort involved in composing and arranging new charts, covering the cost of twelve or more musicians, and meshing their complicated ...
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