Results for "bass, electric"

Matthew Garrison

Born: June 2, 1970

Born June 2, 1970 in New York. Here he spent, with his mother Roberta Escamilla Garrison and sister Maia Claire Garrison, the first seven years of his life immersed in a community of musicians, dancers, writers, visual artists and poets. After the death of his father Jimmy Garrison (John Coltrane's bassist), his family relocated to Rome, Italy where he began to study piano and bass guitar. In 1988 Matthew returned to the United States and lived with his godfather Jack DeJohnette for two years. Here he studied intensively with both DeJohnette and bassist Dave Holland. In 1989 Matthew received a full scholarship to attend Berklee College of Music in Boston

Keith E. Cooper

Born: March 4, 1955

I am an accomplished electric bass guitar player and saxophonist who doubles on flute and clarinet. I have been a professional musician since 1972. I can sight read well and I sing lead and harmony. I have been in numerous bands including the US Army s 2nd Armored Division Band. I played baritone sax in the dance band. I played bass guitar and sang in the duty combo known as “The Statesmen”. In the chorus I was the section leader for the basses. I played both flute and piccolo in the concert band and the marching band. Civilian bands I have been in include the show band “The Boys Next Door.” I played bass, saxes, flute, some guitar and some keyboards as well as singing lead and harmony

John L. Schulman

Born: February 6, 1953

Berklee Class of 2010, private studies with jazz guru Charlie Banacos.

Joseph Alan Fears

Born: September 7, 1957

Born In Hasting Nebraska September 7th 1957, and began a musical career in 1968 after moving to Salina,Kansas with his family. at age 12 Joseph alan fears began as a bass guitar player & Singer, performing With Various Well Known R&B Bands . from 1970-1974 Joseph Performed with A Band Called”Kool-Sat & The Second Breeze” And Recorded His First Song “How Does It Feel”,Although,The Song was Written By All Of The Band Members-Albert Whitaker(drums) Mythias Wright(Guitar & Vocals) & Micheal Jackson(Organ) Back In 1970,Joseph Was The First To Join (BMI) & Copyright The Tune In 1976

Edo Castro

Born: April 24, 1959

Edo Castro is an eclectic modern instrumentalist borrowing from jazz, ambient, folk and world music - a chameleon who adapts his musical surroundings to create his montage of compositions. Castro is a SF Bay Area Native who grew up in the Haight-Ashbury during the 60’s. “ I was influenced by Sly Stone, Tower of Power, Cold Blood and Santana. There was so much music going on, it was pratically oozing out into the neighborhood. You couldn’t help not being affected," Castro recalls. He initially was a self-taught bassist but later attended the American Conservatory of Music in Chicago. During his stay in Chicago he played with some of the finest young bloods of the music scene at that time including Jim Trumpeter, Fareed Haque, Mark Walker and Hassan Khan

Franc O'Shea

Born: October 16, 1966

FRANC O'SHEA Composer/Bass Guitar/Composer Franc was born of Irish, English and Spanish blood in Swaziland, Africa. He was influenced by the sounds of the native’s songs and drumming as his mother would take him to tribal gatherings. After living in Indonesia for two years he moved to England when he was 6 and took up the bass guitar at the age of 12. His open spirit led him to discover a love for all types of music including Jazz, Flamenco, Funk, Irish Folk, African, Rock and Classical. He was a founding member of the Brazilian dance combo BATU in 1992. Their first single ‘Seasons of my mind’ which they recorded in Paris became a world wide club and radio hit

Mauro Voconi

Italian musician born in Abruzzo in 1959. His career started at the age of 14 as autodidact. At 18 he began studying Bass with his very first Fender Jazz Bass Vintage CAR and attended a Stage, as well as Courses and Seminaries, Jam and Overall Music, held by the major International Bassist, such as M. Miller, A. Johnson, G. Willis, Laboriel and others. At the same time there were also important event in his life and Jam premieres with artist of calibre Erskine, Vieira, Acuna, Colaiuta ….. These are his more stimulating experiences either in Studio or Live: Cooperation with Otmaro Ruiz, Alfonso Vieia (drums of Toquino-De Paula.-Jobim), Mario Schilirò (Zucchero Guitar), Loretta Goggi, Del Turco, Morandi, Mannoia, Alan White, Fontana, Radus and many other Italian performers

Jorge Lopez Ruiz

Born: April 1, 1935

Jorge López Ruiz, a highly respected arranger, composer and bassist (on this album also playing electric bass, cello and piano), had played with a legendary quintet led by Lalo Schifrin in 1956-1957; the featured saxophonist was Gato Barbieri. López Ruiz had also been Schifrin's big band bassist along with Gato. López Ruiz always played with the best in argentinean jazz.

Harvey Brooks

Born: July 4, 1944

Harvey Brooks (born July 4, 1944, New York City as Harvey Goldstein) is an American bassist. He has played in many styles of music (notably jazz and popular music), and was folk rock's first notable bass guitarist.[citation needed] Brooks came out of a New York music scene that was crackling with activity in the early 1960s. One of the younger players on his instrument, he was a contemporary of Andy Kulberg and other eclectic players in their late teens and early 20s, who saw a way to bridge the styles of folk, blues, rock, and jazz. Columbia Records producer Tom Wilson gave Brooks his first boost to fame when he picked him to play as part of Bob Dylan's backing band on the sessions that yielded the song "Like a Rolling Stone" and the album Highway 61 Revisited �" in contrast to the kind of folkie-electric sound generated by the band on his previous album, Bringing It All Back Home

Carles Benavent

Born: March 1, 1954

The product of a musical crossroads, a border, a meeting place between very different cultures, but dominated by jazz and flamenco, the career of Carles Benavent began in a watershed year for Europe, 1968, in the popular and endearing Barcelonan neighborhood of Poble Sec when, at the tender age of 13, he formed his first group, Crack, which in 1970 became Máquina!. From an explosive clash to the perfectly-oiled machinery of teamwork. Five years later, together with Joan Albert Amargós, he founded Música Urbana, Spain's flagship of jazz-fusion.

Starting in the late 70’s, appearing in various groupings throughout the country, his name began to figure alongside those of the most distinguished musicians on the Spanish jazz scene, such as Kitflus Tito Duarte and Max Sunyer, with whom he formed a trio filled out by Salvador Niebla.