Results for "bass, acoustic"

Peter Kowald

Born: April 21, 1944

A member of the Globe Unity Orchestra, and a touring double-bass player, Kowald collaborated with a large number of European free jazz and American free-jazz players during his career, including Peter Brötzmann, Irène Schweizer, Karl Berger, Fred Anderson, Hamid Drake, Karl E. H. Seigfried, Conny Bauer, Jeffrey Morgan, Wadada Leo Smith, Günter Sommer, William Parker, Barre Phillips, Joëlle Léandre, Lauren Newton and Evan Parker. He also recorded a number of solo double-bass albums, and was a member of the London Jazz Composer's Orchestra until 1985. He also recorded a number of pioneering double bass duets with Maarten Altena, Barry Guy, Joëlle Léandre, Barre Phillips, William Parker, Damon Smith and Peter Jacquemyn. In addition, Kowald collaborated extensively with poets and artists and with the dancers Gerlinde Lambeck, Anne Martin (formerly of Pina Bausch Ensemble), Tadashi Endo, Patricia Parker (founder of the Vision Festival), Maria Mitchell, Sally Silvers, Cheryl Banks (formerly of Sun Ra's Arkestra), Arnette de Mille, Sayonara Pereira, and Kazuo Ohno

Kristin Korb

Born: October 29, 1969

There are few bassists who can sing and there are even fewer who can do it well. Kristin Korb is one of those artists who make you forget that she is playing the bass when you hear her crystalline voice. Inspired by the days when music was romantic and made you want to dance, Kristin and her trio embody that spirit and carry their audiences along for the ride.

Love eventually brought the American bassist and vocalist to Denmark in 2011.

Korb earned her Music Education degree at Eastern Montana College and her masters in Classical Bass Performance the University of California, San Diego. It was while she was a student at UCSD that her professor, Bertram Turetzky inspired her to sing and play bass at the same time. She also studied with Ray Brown, with whom she made her recording debut, "Introducing Kristin Korb with the Ray Brown Trio" released in 1996. She has taught at the University of Southern California where she was coordinator of vocal jazz studies, Azuza Pacific University, Grossmont Community College and was Director of Jazz Studies at Central Washington University.

John Kirby

Born: December 31, 1908

John Kirby led a most unusual group during the height of the big-band era, a sextet comprised of trumpeter Charlie Shavers, clarinetist Buster Bailey, altoist Russell Procope, pianist Billy Kyle, drummer O'Neil Spencer and his own bass. Although Shavers and Bailey could be quite extroverted, the tightly arranged ensembles tended to be very cool-toned and introverted yet virtuosic. Kirby, originally a tuba player, switched to bass in 1930 when he joined Fletcher Henderson's Orchestra. He was one of the better bassists of the 1930s, playing with Henderson (1930-33 and 1935-36) and Chick Webb's big band (1933-35). John Kirby was born in Winchester, VA in 1908 and died in Hollywood, California in 1952

Paul Keller

Paul Matthew Keller was born March 11, 1962. He began studying the string bass at age 12. By age 16 Paul had played his first jazz gigs in his hometown of Grand Rapids, MI. He continued his classical music education at the University of Michigan and moved to Ann Arbor permanently in 1986.

Today, Paul is one of the busiest bassists in the Detroit area. He has earned the nick-name "The House Bass Player For The State Of Michigan" as each year, he logs so many miles traveling across the state to perform at various music venues. At his home-base, the Firefly Club in Ann Arbor, MI, Paul leads the 15-piece Paul Keller Orchestra, which plays original, obscure and classic big band material from all periods of jazz history. Under Paul's expert leadership, the PKO (formerly known as the Bird of Paradise Orchestra) has garnered critical and popular acclaim, accepting Washtenaw Council for the Arts "Annie Awards" and Detroit Music Awards for excellence in performing arts. Their CDs are: Hallelujah Train, Project X, BINGO!, Paris Blues, A Tribute To Count Basie and A Tribute To Benny Goodman. These recordings spotlight Paul's fine compositions and arrangements. The Paul Keller Orchestra has enjoyed two tours of Europe. The PKO performs every Monday night from 8:00 PM till 11:00 PM at the Firefly Club in Ann Arbor. PKO big band Monday nights at the Firefly Club are a beloved Ann Arbor tradition! Check out www.fireflyclub.com.

Sam Jones

Born: November 12, 1924

Sam Jones was a solid jazz bassist with impeccable technique, who could also swing and groove with the best of them. Most associated with his tenures with Cannonball Adderley, and then Oscar Peterson, he also went on to front his own bands and left a reputable recorded legacy as a leader. Sam Jones was born in Florida on Nov. 12, 1924, starting his career playing in local bands. By 1953 he was playing with Tiny Bradshaw , then after moving to New York in 1955 he joined up with the groups of Kenny Dorham, Cannonball Adderley, Dizzy Gillespie, and Thelonious Monk. But it would be with the Cannonballs Adderley Quintet, from 1959 to 1966, where he would establish his reputation. Paired up with stellar drummer Louis Hayes, in what has proven to be a benchmark rhythm section for being “in the pocket.” There have been few better. He also did solo projects during the early sixties and released some fine sides for Riverside, where he was able to stretch out on some of his cello oriented pieces. Jones went on to replace Ray Brown in the Oscar Peterson Trio in from 1966 to 1970

Chubby Jackson

Born: October 25, 1918

A fine bassist, Chubby Jackson is best-known for his association with Woody Herman's first two Herds of the mid-to late '40s, where he functioned not only in the rhythm section but as a sort-of cheerleader whose vocal interjections really pushed the band. Although he started on the clarinet when he was 16, Jackson soon switched to bass and was a professional by the time he was 19, playing with many big bands, including those led by Raymond Scott, Jan Savitt, and Henry Busse. After touring with Charlie Barnet from 1941 to 1943 (sometimes with Oscar Pettiford as the second bassist), Jackson joined Woody Herman's transitional orchestra and was partly responsible for the group adding many young modernists to the personnel, resulting in the First Herd

Chuck Israels

Born: August 10, 1936

Bassist and composer, Chuck Israels was raised in a musical family. His step-father, Mordecai Bauman is a singer who performed extensively with composer Hanns Eisler and who, along with Chuck's mother, Irma Commanday, created a home environment in which music was a part of normal daily activity. Paul Robeson, Pete Seeger and The Weavers were visitors to the Bauman home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello and played guitar in junior high school

Dieter Ilg

Bassist Dieter Ilg is regarded today as one of a handful of European musicians who make their unmistakable musical style a valuable contribution to the projects they work on. Whether it is as a internationally well-respected sideman or as band leader of his own ensembles: Ilg always combines the quality of the bass as a musical foundation with a graceful ease and expression that is rarely heard on a technically difficult instrument such as the double bass. It is sometimes assumed that there are two kinds of bass players: those who “groove” and accompany (serving mainly as a rhythmic presence) or those who – freeing themselves of the serving role – strive to explore their artistic heights as a soloist (displaying their versatility as virtuoso improvisers)

Major Holley

Born: July 10, 1924

Jazz bassist Major “Mule” Holley, a Detroit native, began playing the violin at age 7 and learned the tuba and every other wind-related instrument in the bass family as well as piano during a 1940s stint in the Navy. His first professional gig was in San Diego in 1946 where he performed in an ensemble led by saxophonists Wardell Gray and Dexter Gordon. He moved to New York after getting out of the service. Holley moved to England in the ‘50’s doing session work at the BBC. The same decade returning to the states he toured with Woody Herman in 1958 and with Al Cohn/Zoot Sims in 1959-60

Milt Hinton

Born: June 23, 1910

"The Judge" Milt Hinton was widely regarded as the dean of jazz bassists. This master bassist was one of the consummate sidemen in jazz history. His career very nearly spanned the gamut of jazz generations and he was one of those rare musicians who exhibited minimal ego and had an ability to make a contribution to any setting he found himself in, no matter the style. He once said, according to the New York Times, that he had made "more records than anybody," and at the peak of his recording career he kept instruments at each of several major recording studios so that he would be ready to play at a moment's notice. Like so many African American families in the early part of the 20th century, his family migrated from Mississippi north to Chicago, where he was raised