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Jazz Punks: Smashups

by Jeff Dayton-Johnson
The conceit of the Los Angeleno Jazz Punks' debut is an appealing one: creative arrangements combining ("mashing up") really well-known jazz tunes ("Take The 'A' Train," A Night In Tunisia," Take Five") with really well known rock 'n' roll tunes ("Foxy Lady," Should I Stay Or Should I Go?," Misty Mountain Hop"). The jazz is mostly ...
Bugge Wesseltoft: Songs

by John Kelman
After John Scofield released his balladic A Moment's Peace (EmArcy, 2011), the guitarist revealed, in an 2011 All About Jazz interview, that the original plan was to record with Norwegian pianist Bugge Wesseltoft. It may not have come to pass, but based on Songs, it sure sounds as though these two artists--geographically distanced by thousands of ...
Eric Vloeimans / Florian Weber: Live at The Concertgebouw

by John Kelman
In a career spanning the intimate chamber jazz of Fugimundi to the electrified Gatecrash, Eric Vloeimans has emerged as a trumpeter with uncommon instincts, relentless lyricism and an astute ear for musical partnerships. It's been three years since his last recording as a leader--Heavens Above (Challenge, 2009)--but in the interim there's been an expansive five-CD career ...
Kongsberg Jazz Festival Unveils All About Jazz Presents: Doing It Norway Program

On February 1, 2012, Norway's Kongsberg Jazz Festival unveiled its first series of shows scheduled for the 2012 edition, running from July 4-7, 2012: a total of fourteen shows—seven of them detailed in this press release. AAJ is pleased to announce the lineup for its All About Jazz Presents: Doing It Norway festival-within-a-festival, following last fall's ...
Jon Balke Batagraf: Say And Play

by John Kelman
He may be nowhere near a household name in North America, but elsewhere-- in particular in his native Norway--pianist Jon Balke's influence continues to grow. That he's better known for the music he writes--and the contexts in which he delivers it--shouldn't be taken as a negative, either; only that, with projects like the brass-heavy Oslo 13, ...
Lars Danielsson: Liberetto

by John Kelman
With Tarantella (ACT, 2009)--his last studio recording excluding the career-spanning Signature Edition 3 (ACT, 2010) compilation-- Lars Danielsson raised the bar on a string of recordings demonstrating increased evolution on all fronts. If Liberetto doesn't exhibit the same degree of incremental stylistic growth that Tarantella did over previous albums including Pasodoble (ACT, 2007) and Mélange Bleu ...
Lars Danielsson: Love is the Message

by James Pearse
Saturday night in an unusually mild December 2011 at Stockholm's premier jazz venue, Fasching, could only mean one thing: the place was heaving. As well as the unseasonable weather and the looming Christmas period, the reason so many festive Swedes were crammed in like tinned herring was to catch a rare glimpse of national hero Nils ...
Mathias Eick: The Lyrical Dimension

by Adriana Carcu
Norwegian trumpeter/composer Mathias Eick comes from a musical space that, during the last 30 years, has rightfully earned itself the attributes of a genre. The singularity of his tone, marked by the lyrical quality of his phrasing and underlined by a melancholic solemnity, adds a particular note a the Nordic jazz tradition he shares with Jan ...
Take Five With Richard Lewis

by AAJ Staff
Meet Richard Lewis: Classically trained under minimalist composer Brian Wilshere and by turns jazz drummer, folk guitarist and composer of scores, [Richard Lewis] has created a perfect synthesis of his various influences and experiences. His album, Untitled is a small marvel, full of hidden treasures, for which he summons not only flighty bursts of ...
Sinikka Langeland: The Land That Is Not

by John Kelman
Four years after her relentlessly beautiful ECM debut, Sinikka Langeland returns with the equally breathtaking The Land That Is Not. Following Starflowers (2007), the Norwegian singer/kantele player took a detour with Maria's Song (ECM, 2009), an intimate recording of folk songs and compositions by J.S. Bach that expanded upon territory visited on Påsketona (Nordic Sound, 2004). ...