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Amina Figarova: Road To The Sun
by Dan McClenaghan
Pianist Amina Figarova, born in Baku, Azerbaijin, experienced one of the United States' darkest days--the 9/11/2001 terrorist attack--up close, from the vantage point of a friend's apartment in Brooklyn. The experience resulted in the creation of perhaps the most poignant and heartfelt artistic representations of the event, Figarova's sextet recording September Suite (Munich Records, 2005), an ...
Greg Murphy, Art Blakey & More
by Joe Dimino
The legend of the jazz drum kit and a survivor Ralph Peterson opens this week's episode of Neon Jazz, along with a few of his mentors, Art Blakey and Walter Davis Jr.. From there, we throttle into a new crop of tunes from some great jazz cats like James Suggs, Greg Murphy and Hilary Gardner. Then, ...
“Harlem 1958” - Celebrazione di un evento irripetibile
by Gaetano Fiore
Una foto, semplicemente una “foto," non uno scatto veloce, affrettato o rassicurante come per il “digitale," bensì qualcosa di tangibile, quasi materico, che fa pensare a quanta fatica e desiderio siano stati spesi per generare un'immagine tanto bella e significativa. Sì, un'immagine poi diventata manifesto emblematico nonché straordinaria celebrazione di un evento irripetibile. Appassionati, conoscitori, esperti ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Cooper-Moore: Catharsis and Creation in Community Spirit
by Jakob Baekgaard
It's tempting to think of a life in music as a linear story with a beginning, middle and end, because that's the way life is: we are born, we live, and then we die. In this narrative, one could assume there will be highs and lows and masterpieces might emerge out of a misty fog of ...
Peter Erskine: Up Front, In Time, and On Call, Part 1
by Jim Worsley
Part 1 | Part 2Peter Erskine is affable, engaging, and humorous. He, of course, is also one of the finest drummers of his generation. He has left his mark on the jazz and fusion world for nearly fifty years now. An icon, whose name is mentioned with the greats of all time, Erskine continues ...
Wayne Shorter: Etcetera
by Patrick Burnette
The mid-sixties was an incredibly busy time for Wayne Shorter, who in 1965 had transitioned out of being Art Blakey's musical director into serving more or less the same roll for Miles Davis. By that point, he already had three Vee-Jay and two Blue Note leader dates under his belt and, in '65, he went on ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Mother Ship's 50th Anniversary, Bu @ 100 & More
by Marc Cohn
Who took the happiness out? Not Gifts & Messages! This week we celebrate the 50th anniversary for the Blue Note album Mother Ship by Larry Young. Also featured is Blue Note No. 6 from Sidney Bechet and three tracks to start the Art Blakey centennial celebration, including a rare (and powerful) one from Gypsy Folk Tales. ...
Women in Jazz, Part 1: Early Innovators
by Karl Ackermann
"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...
